20 Questions: Will Adamsdale – 'Doing plays was one of the only ways to meet girls'
Roy Williams: 'I find it difficult to condemn the police'
DV8's Lloyd Newson: 'There is nothing I feel we couldn't handle'
Robert Holman: 'I'm not trying to be difficult'
20 Questions: 'Tis Pity She's a Whore's Max Bennett – 'After this one I'll need a drink'
Emma Bettridge Talks Ferment
Oscar Wilde's grandson Merlin Holland: 'We've got as close as we can to hearing him speak'
Stones in His Pockets director Ian McElhinney: 'The play has become more pertinent'
Roger Allam: 'Acting, like many professions, is getting more exclusive'
Alexander Hanson: 'If you do too many musicals, that's all you can do'
Michael Morpurgo: 'Telling stories is as natural to me as breathing'
Gavin Creel: 'I miss having afternoon tea'
Will Eno: 'Edinburgh is like a riot, with velvet ropes'
10 questions with Hetty Feather
Mark Ravenhill: The secret's out at Edinburgh
20 Questions: Adam Riches – 'Edinburgh's about throwing caution to the wind'
Neighbours star Morgana O'Reilly on going solo at Edinburgh
George Perrin: 'Everyone goes to Edinburgh hunting shows'
Nicolas Kent and Nabil Elouahabi on The Nightmares of Carlos Fuentes
Invincible director Ellie Jones: 'I always trust the playwright to tell the story'
Peter Lockyer and David Thaxton chat about joining the cast of Les Miserables
Yaël Farber on directing The Crucible: 'It's only in the darkest stories that you see glimmers of heroism'
RSC's Erica Whyman: 'We could be much more rebellious'
Edward Hall on marking the Miners' Strike and the secret of his Hampstead success