So long solo shows: the time of the two-hander is upon us
Hamilton performer joins show after working front of house at same venue
Edinburgh Q&A: Jake Roche talks Neporrhoids
Edinburgh blog: What is the point of the Fringe?
Edinburgh blog: Emerging artists on the importance of funding support
Edinburgh blog: Love’s a Beach writers on the horrors of fame
Edinburgh blog: Adam Rapp on The Sound Inside
Edinburgh blog: Janie Dee on her Beautiful World Cabaret
Casting Jonathan Bailey as Richard II is an inspired decision
What is the difference between an understudy and a swing?
The stage door is a unique, magical experience – but boundaries have to be respected
Cancelled previews is always a risk but rarely a concern – Romeo and Juliet is not unusual
Can theatre critics close shows?
New musicals ready to shake up the UK theatre landscape
What is going on with the Cabaret reviews?
The West End has a major advantage over Broadway during awards seasons
The Olivier Awards were a reminder of UK theatre’s great power – but also of how much is in peril
Starlight Express and Mean Girls announcements showed casting direction at its finest
The art of the perfect stage show trailer
No train, no gain – the crisis on our public transport network is amplifying theatre’s woes
David Babani on the Menier Chocolate Factory’s 20th birthday
The WhatsOnStage Awards are a wonderful reminder of the sheer vibrancy of British theatre
The Traitors is pure Shakespeare – the producers have learnt from the best
Musicals have thrived at the box office this month – naysayers should change their tune