Blogs
Change is afoot at WhatsOnStage… 
Blogs
Adele ‘f*cking hates musicals’ – but maybe she hasn’t found the right one yet
Blogs
It’s time to retire the term ‘theatre etiquette’ 
Blogs
Sarah Crompton: The richness and inclusivity celebrated by the Olivier Awards is at risk as never before
Blogs
Janine Shalom proved that theatre is held together by love and quiet commitment
Blogs
Does the opening night system need an overhaul?
Blogs
Cabaret refuses to rest on its laurels – proving long-running shows can be hotbeds for creativity 
Blogs
Bolts from the blue – 2023 will be an exciting time for new musicals
Blogs
Ian McKellen and John Bishop prove panto season is for life, not just for Christmas
Blogs
Sarah Crompton on the WhatsOnStage Awards – a little joy in a time of gloom
Blogs
‘Performance is everywhere’: Kane Husbands discusses the National Theatre’s largest schools tour
Blogs
A new year at WhatsOnStage
Blogs
Appointments in the past – Clive Judd explains his Papatango-winning play ”Here”
Blogs
Sarah Crompton: The dust has settled after the Arts Council’s announcement – but my fury remains
Blogs
Hilary Mantel is a huge loss to the stage, as well as the page
Blogs
Amy Trigg: ”Reasons You Should(n’t) Love Me” started because I wanted more control over the stories I told
Blogs
Renu Brindle on ”Silence”: ‘My family never fully revisited their past. No words, no outpourings’
Blogs
Karim Khan: Broadcasters are still too afraid to commit to Muslim storytellers
Blogs
”Please, Feel Free To Share” – two years of patience pays off at the Fringe
Blogs
Thirty years of the Birmingham Stage Company – from dressing room offices to West End success
Blogs
Edinburgh Blog: How a chance encounter grew into a ‘mesmerising’ show
Blogs
Edinburgh Blog: How making theatre is just like chemistry
Blogs
Edinburgh Blog: How my play about illness became something bigger
Blogs
Edinburgh Blog: Joe Sellman-Leava on the impact of winning a Fringe First