The Royal Shakespeare Company’s tribute revival of Arthur Miller’s 1953 classic The Crucible transferred triumphantly to the West End last night (5 April 2006, preview from 29 March) for a limited season at the Gielgud Theatre, care of commercial producers Bill Kenwright and Thelma Holt, who’ve previously brought the RSC’s Judi Dench-headed All’s Well That Ends Well, the pairing of The Taming the Shrew and The Tamer Tamed, and the Olivier Award-winning Jacobean season to Shaftesbury Avenue.
The Crucible was just one of the London opening’s last night for director Dominic Cooke, an RSC associate director and artistic director-designate of the Royal Court (See News, 24 Mar 2006). His double bill of Postcards from America – which stars Suzanne Burden and Lia Williams and was first seen at the RSC’s New Work Festival in Stratford last autumn – also opened at Soho Theatre.
Set in 1692 in Massachusetts, The Crucible centres on the reign of terror unleashed during the Salem witchcraft trials, but was in fact a thinly veiled response from Miller to the 20th-century “anti-American” communist witch-hunts of Senator Joseph McCarthy.
This revival was the RSC’s first-ever major, main-stage production of a play by Miller, who died last February at the age of 89 (See News, 11 Feb 2005) – although a 1984 RSC production of the same play did tour regionally. Miller’s many other now-classic plays include All My Sons, A View from the Bridge and, revived last year in the West End with Olivier Award winner Brian Dennehy as Willy Loman, Death of a Salesman.
Cooke’s production of The Crucible originally opened at Stratford’s Royal Shakespeare Theatre on 28 February to strong reviews but had only a handful of dates there, as part of the RSC’s bard-free winter schedule ahead of this month’s launch of the year-long Complete Works Festival (See News, 26 Apr 2005). It’s designed by Hildegard Bechtler, with lighting by Jean Kalman, music by Gary Yershon and sound by Paul Arditti.
– by Terri Paddock
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