Sean Foley to step down as Birmingham Rep artistic director this summer

Birmingham Rep has announced the news that Sean Foley will step down from his duties as artistic director following his forthcoming production of Withnail and I this summer.

Foley has released the following statement: “It has been an honour to be the artistic director of this magnificent and historic theatre over the past five years. I will be stepping down over the summer, with Withnail and I being the last production I direct as artistic director, and the programme will continue through into the autumn and beyond with the wonderful new musical Becoming Nancy, and – a particular delight – the as yet to be announced main stage debut of associate director, Madeleine Kludje.

“That the Rep has consistently been able to deliver a truly ambitious programme of artistically credible popular theatre across its three auditoria – even through the multiple challenges of the past years – is testament to the tenacity, talent, and commitment of the extraordinary staff team here. My decision was made before the announcement of the City Council cuts to the Arts budgets, and is unrelated to them: I know that this staff team will rise to this latest challenge… The ambition we have shown in my time here has seen audiences come back to the Rep at greater levels than before the pandemic, with audiences growing by a further 20 per cent in the year. I’m especially proud that 2023 has a claim to be one of the very best years in the Rep’s extraordinary history, with three world premieres, two West End transfers, international work, multiple award nominations, our largest youth and community festival ever, and being shortlisted for The Stage’s Theatre of the Year.

“Above all, we have given people some great nights out…

“I’m deeply proud that the vision of investing anew in the Rep as a major producing theatre has come to fruition. It has enabled the Rep to find exciting new partners across its range of work: working with the very finest, world-class, producing partners and creative teams; creating new talent development initiatives in comic theatre, community theatre, and playwriting: and being ever more ambitious in the range and diversity of the work on all our stages. As a consequence, we have employed more freelancers, commissioned more work, and welcomed whole new audiences to the theatre – over fifty per cent of whom were new to the Rep, and many were new to the theatregoing experience itself. Above all, it has meant that we have been able to kindle and widen local, national, and international relationships to the Rep in ways both joyful and, I hope, lasting.

“The Rep is an incredible theatre in a truly great city, and it has been a great privilege to have been able to work alongside everyone connected with it.”

Foley began his tenure as artistic director in May 2019 and some of his most notable credits since then include East is East, Coming to England, The Play What I Wrote, Spitting Image The Musical, The Way Old Friends Do, What’s New Pussy Cat?, Grimeboy, Bhangra Nation, Counting and Cracking, Of Mice and Men, Sinatra The Musical, Tartuffe, and The Park Bench Plays.

Foley’s final production as artistic director, Withnail and I, will run from 3 to 25 May 2024.

Ayub Khan, interim Chair of the Board of Trustees, added: “Over the past five years, Sean has led the Rep artistically with great talent, formidable determination, and a wide-ranging vision. The programme he has delivered has consistently increased audiences, met its financial targets, brought world-class talent to work here, and brought extraordinary national and international work of the highest calibre to the theatre – all of which has created genuine excitement around the Rep as a major producer, and contributed significantly to cultural placemaking in Birmingham. This, combined with successful new talent initiatives like Sky Comedy Rep – which has given access into the industry for many new voices – has meant that the Rep has truly grown as a theatre under his artistic stewardship. From the challenges of the pandemic, through to the risks of re-opening, and the past years of real achievements, his consistent focus on excellence has meant that the Rep now means more to more people, both in the city and wider afield. We wish him well with whatever he does next.”

Recruitment for new artistic leadership is set to begin later this month.

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