130213 2
Video
Watch ten minutes of the National Theatre's Barber Shop Chronicles in 360-degrees
125151 2
Blogs
Matt Trueman: 'It's time to head off exploring again'
129410 1
Reviews
Review: The Woods (Royal Court)
129337 1
Features
And Introducing… YESYESNONO: the one-man company taking care of audiences
128666 1
Reviews
Review: Baby Face (Summerhall, Edinburgh Fringe)
128605 1
Reviews
Review: Killymuck (Underbelly Bristo Square, Edinburgh Fringe)
128586 1
Reviews
Review: Hunch (Assembly Roxy, Edinburgh Fringe)
128494 1
Features
And introducing… LUNG: the verbatim theatre company telling the stories that have been drowned out
128442 1
Reviews
Review: Bury the Hatchet (Hope Theatre)
128391 1
Reviews
Review: Exit the King (National Theatre)
128254 1
Review Round-Ups
Did critics Pity Rory Mullarkey's new play?
128230 1
Blogs
Why are we so obsessed with the history play?
127986 1
Blogs
Letting the outside world into a theatre can add to the drama
127853 1
Features
And Introducing…Max Webster: the director who takes on everything from Seuss to Shakespeare
127097 1
Blogs
Too often, verbatim theatre forgets to be theatre
126606 1
Blogs
International artists can be the making of British theatre
126493 1
Interviews
And introducing…Thalissa Teixeira: fearless performer who trusts the audience to tune in
126354 1
Reviews
Review: Translations (National Theatre)
125980 1
Theatre News
Natalie Simpson wins 2017 Ian Charleson Award
125760 1
Blogs
Lyn Gardner's departure is a shame, but it isn't the death knell for criticism
125668 1
Blogs
RashDash's #TimesUp Three Sisters pushes male plays off their pedestal
125519 1
Interviews
And introducing… Rosie Elnile: Black boxes be damned, here's a designer embracing excess
124366 1
Reviews
Review: Relentless Unstoppable Human Machine (Roundhouse)
122949
Blogs
Allow children to make theatre and who knows what the future might bring