130632 1
Blogs
Glenn Close and Elaine May's performances in New York prove that experience is a gift
128550 1
Blogs
User Not Found: the Edinburgh show exploring what happens to your internet profile when you die
128489 1
Blogs
Edinburgh Fringe may claim to be open to all, but money dictates access
128230 1
Blogs
Why are we so obsessed with the history play?
125151 3
Blogs
Theatre criticism is in desperate need of greater diversity
125148 1
Features
Getting into the head of a serial killer: designing the immersive Hollow Hotel
125031 1
Blogs
Gym addiction: The line between me and my play's protagonist became very faint
108820
Blogs
Microphones should not replace the ability to project
108081
Blogs
Matt Trueman: 'Lighting designers are the unseen heroes of the theatre'
95643
Blogs
Matt Trueman: British theatre has lost none of its heat
100324
Blogs Editor's Pick
Matt Trueman: What planet is Steven Berkoff on?
99817
Blogs
Michael Coveney: 'You can judge a book by its cover and a show by its first scene'
99527
Theatre News
Michael Coveney: Could men become the new minority in theatre?
99656
Blogs
Laura McDermott: 'Fierce is promiscuous – there’s almost no arts organisation we haven’t been with'
99378
Blogs
Matt Trueman: There's a giant leap from page to stage
93002
Blogs
Opera – when directors rule
92752
Blogs
Catherine Love: 'Interaction does not always mean choice'
87833 2
Blogs
Catherine Love: My theatre highlights of the year so far
92302
Blogs
Catherine Love: Do more theatres mean more choice for theatregoers?
92093
Blogs Editor's Pick
Catherine Love: In theatre, simple is often best
91673
Blogs
Catherine Love: We need to make theatre more welcoming
91249
Blogs
Catherine Love: Time up for show times?
90348
Blogs
Catherine Love's Edinburgh Fringe Diary #2
89502
Blogs
Catherine Love: Transforming the funding landscape