The Tempest at Ustinov Studio – review
Space – a fresh frontier: how the West End is rewriting its own rulebook
How does Harry Potter and the Cursed Child work as a one-part play?
Kunene and the King in the West End: opening night for John Kani's play
Watch John Kani, Antony Sher and Janice Honeyman introduce Kunene and the King to the West End
Top 5 Edinburgh International Festival shows to see
Review: The Prisoner (National Theatre)
Peter Brook: 'The most depressing thing about theatre today is excessive seat prices'
Katie Mitchell: 'La Maladie de la Mort is a post-Brexit event'
Peter Brook returns to National Theatre in new season
Akram Khan: 'I wanted to portray Giselle as a strong leader, not a coy young woman'
Gerard Jones, opera director: 'Not angry, just gagging'
Review: La Tragédie de Carmen (Wilton's Music Hall)
Tara Theatre announces winter season
Nominees announced for the Empty Space Peter Brook Awards
Peter Hall achieved his remarkable vision despite opposition on all sides
5 minutes with Lydia Wilson: 'I filmed my Black Mirror scenes on a flip phone'
Ten great things in The Play's The Thing
Nominees for the Peter Brook Empty Space Awards announced
Holly Williams: Should we still favour writers over companies?
Gemma Bodinetz: Liverpool is addictive
Four performances that made Shakespeare into an icon
The week in pictures: 8-15 April
Don't Sleep There Are Snakes (Park Theatre)