152240 3
Reviews
The Tempest at Ustinov Studio – review
152197 3
Blogs
Space – a fresh frontier: how the West End is rewriting its own rulebook
149263 1
Features
How does Harry Potter and the Cursed Child work as a one-part play?
141017 1
Video
Kunene and the King in the West End: opening night for John Kani's play
140887 1
Video
Watch John Kani, Antony Sher and Janice Honeyman introduce Kunene and the King to the West End
136232 3
Features
Top 5 Edinburgh International Festival shows to see
129557 1
Reviews
Review: The Prisoner (National Theatre)
128741 1
Interviews
Peter Brook: 'The most depressing thing about theatre today is excessive seat prices'
128527 1
Interviews
Katie Mitchell: 'La Maladie de la Mort is a post-Brexit event'
126968 1
Theatre News
Peter Brook returns to National Theatre in new season
124555 1
Interviews
Akram Khan: 'I wanted to portray Giselle as a strong leader, not a coy young woman'
120276
Interviews
Gerard Jones, opera director: 'Not angry, just gagging'
119922
Reviews
Review: La Tragédie de Carmen (Wilton's Music Hall)
118092
Theatre News
Tara Theatre announces winter season
96511
Theatre News
Nominees announced for the Empty Space Peter Brook Awards
118008 1
Blogs
Peter Hall achieved his remarkable vision despite opposition on all sides
109082
Interviews
5 minutes with Lydia Wilson: 'I filmed my Black Mirror scenes on a flip phone'
109060
Features Editor's Pick
Ten great things in The Play's The Thing
108657
Theatre News
Nominees for the Peter Brook Empty Space Awards announced
108275
Blogs
Holly Williams: Should we still favour writers over companies?
105621 2
Interviews
Gemma Bodinetz: Liverpool is addictive
104332
Features
Four performances that made Shakespeare into an icon
104145
Photos
The week in pictures: 8-15 April
103522
Reviews
Don't Sleep There Are Snakes (Park Theatre)