Catherine Love

Catherine Love

Catherine Love is a freelance theatre critic and arts journalist. She writes for publications including the Guardian, The Stage and Exeunt and has spoken on panels at the National Theatre and Lyric Hammersmith. She's also in the middle of a PhD at Royal Holloway, University of London, where she's researching the status of the text in contemporary English theatre.

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Latest Articles by Catherine Love

Review: City of Glass (HOME, Manchester)

Review: Cyrano (New Vic Theatre)

Review: Sweet Charity (Royal Exchange)

Review: Ghosts (HOME, Manchester)

Review: Breaking the Code (Royal Exchange)

Review: Sleuth (West Yorkshire Playhouse)

Review: Wish List (Royal Exchange, Manchester)

6 of the best young theatre directors

Catherine Love: What makes a good conclusion?

Catherine Love: 'Interaction does not always mean choice'

Blanche McIntyre and Nicola Seed on restaging 'red hot' Accolade

Catherine Love: What do you want in a play about climate change?

Catherine Love: My theatre highlights of the year so far

6 of the best young playwrights

Catherine Love: Do more theatres mean more choice for theatregoers?

Catherine Love: In theatre, simple is often best

The Scottsboro Boys (Garrick Theatre)

Our Town (Almeida Theatre)

Katie Mitchell talks Europe, climate change and honouring Chekhov's radicalism

Catherine Love: My top theatre picks for autumn

Anya Reiss: 'We’re just trying to make it not a museum piece'

Free As Air (Finborough Theatre)

Catherine Love: We need to make theatre more welcoming

The Edge of Our Bodies (Gate Theatre)

Catherine Love: Can everyone really get talking across cultures?

Catherine Love: Fun Palaces become reality

Calm Down, Dear (Camden People's Theatre )

Teh Internet is Serious Business (Royal Court)

Catherine Love: Time up for show times?

Catherine Love: How can theatres build a wider fan base?

The Gate's Christopher Haydon: 'We want to create work that looks at massive ideas'

Catherine Love: Truth and lies in documentary theatre

Catherine Love: My top theatre picks for September

Catherine Love: Edinburgh Fringe highlights

Beats North (Edinburgh Fringe)

Pioneer (Edinburgh Fringe)

Lungs (Edinburgh Fringe)

merry christmas, Ms Meadows (Edinburgh Fringe)

Wingman (Edinburgh Fringe)

Standby for Tape Back-Up (Edinburgh Fringe)

Kim Noble: You're Not Alone (Edinburgh Fringe)

Our Teacher's a Troll (Edinburgh Fringe)

No Guts, No Heart, No Glory (Edinburgh Fringe)

Blind Hamlet (Edinburgh Fringe)

Catherine Love: Edinburgh Fringe Diary #3

Lippy (Edinburgh Fringe)

Hiraeth (Edinburgh Fringe)

Sirens (Edinburgh Fringe)

Silk Road (Edinburgh Fringe)

Freak (Edinburgh Fringe)

Dead to Me (Edinburgh Fringe)

Catherine Love's Edinburgh Fringe Diary #2

Broke (Edinburgh Fringe)

He Had Hairy Hands (Edinburgh Fringe)

Spine (Edinburgh Fringe)

Chewing the Fat (Edinburgh Fringe)

Britannia Waves the Rules (Edinburgh Fringe)

Play Dough (Edinburgh Fringe)

Catherine Love's Edinburgh Fringe Diary #1

The Fair Intellectual Club (Edinburgh Fringe)

Confirmation (Edinburgh Fringe)

Luke Barnes: 'Edinburgh really made a career as a writer possible for me'

Catherine Love: Play it again

George Perrin: 'Everyone goes to Edinburgh hunting shows'

The Nether (Royal Court)

Catherine Love: Surprising spaces and blurred genres at Latitude

Are micro-festivals a help or hindrance for the Edinburgh Fringe?

Catherine Love: My top Edinburgh Fringe picks

Richard Marsh: 'I'd had enough of love stories for a while'

Catherine Love: Transforming the funding landscape

Catherine Love: My top theatre picks for July

Catherine Love: There's a small revolution brewing in Stratford-upon-Avon

RSC's Erica Whyman: 'We could be much more rebellious'