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Making a house a home: constructing a dwelling live onstage in Geoff Sobelle's work
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Surreal, modern and meta: the radical designs for a transformed version of Rossini's La Cenerentola
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Bold colours and gauze walls: designing a Broadway play for a tiny space
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Walmart and Texan kitchens: representing modern poverty on the set of Utility
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Damning the patriarchy in an American suburban home: designing Blueberry Toast
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Fragments of a man: how we pulled together poetry, music and illustration to tell the story of Caleb Femi
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Acknowledging a history of movement: creating the set for Winsome Pinnock's Windrush play
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Droogs, ultraviolence and the shadow of Kubrick: How we designed Clockwork Orange in-the-round
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Getting into the head of a serial killer: designing the immersive Hollow Hotel
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Dilapidated tenement blocks: Recreating Dublin's high street on stage for The Plough and Stars
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Pig skin and scoliosis: how we created Frankenstein's creature
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Demonic anglepoise lamps: how to create a dystopia using light
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Rural touring: Designing a miniature lighthouse for village halls
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Why the Bridge's Julius Caesar puts the audience centre stage
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The challenges of designing for the floor and air in The Ramshackle House
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Our set for Polka's The Snow Queen is inspired by fashion photographer Tim Walker
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How designing James Graham's latest political play was a labour of love
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Dragon fights and doll houses: designing the Olivier stage for Saint George and the Dragon
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An epic food fight and tiny kitchen cabinets: the complications of designing Rules for Living
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Pink saris and violence: How we represent the fight for women's rights on stage
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Our Arabian Nights is a mirror image of London
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Let's Talk About Sets: Lydia Monks on What the Ladybird Heard
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Let's Talk About Sets: Becky Minto on Mark Murphy's V-TOL's Out of this World
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Let's Talk About Sets: Leo Warner on An American in Paris