Amelia Bullmore

Her theatre credits include Circle Mirror Transformation (HOME Manchester), A Christmas Carol (Noël Coward Theatre), The Norman Conquests (The Old Vic and Circle in the Square Theatre, New York), The Crucible (Sheffield Crucible), Really Old, Like Forty Five (National Theatre), Road and The Queen and I (Leicester Haymarket, Royal Court Theatre and UK tour), The Thickness of Skin (Royal Court Theatre), A View from the Bridge, Romeo and Juliet (Royal Exchange Theatre and UK Tour), All My Sons and How The Other Half Lives (Cheltenham Everyman), Be-Bop-A-Lula (Liverpool Playhouse and UK tour), The Red Balloon(Contact Theatre), The Threepenny Opera (Birmingham Rep), Major Barbara and Sweet Bird of Youth (Citizens Theatre, Glasgow), The Way of The World (Wilton’s Musical Hall) and Ladies in the Lift (Red Stockings Theatre Company.) Her television credits include Riot Women, The Buccaneers, Happy Valley, Gentleman Jack, Scott & Bailey (as series regular DCI Gill Murray and co-writer), Twenty Twelve, The Crown, Vienna Blood, I’m Alan Partridge, Jam, Big Train, State of Play, Ashes to Ashes, The Jetty, Marble Hall Murders, The Larkins and Coronation Street (as series regular Steph Barnes); and for film, Mrs Dalloway, Festival, The Truth, Endgame and What We Did on Our Holiday. Bullmore is also an acclaimed writer for TV, radio and stage – her play Di and Viv and Rose premiered at Hampstead Theatre before transferring to the Vaudeville Theatre in the West End.