Bennett’s first – as yet unnamed - new play since The History Boys, which premiered at the NT in 2004 prior to global stage and screen success, imagines a fictional meeting between the poet WH Auden and composer Benjamin Britten, who famously fell out in the 1940s after a long friendship. In the action of the play, Auden is nearly 70 and Britten in his 50s. As such, said Hytner today, “it doesn’t have as high a testosterone level as The History Boys had”, though he promised that the older characters were dramatically as lively as the teenage students of the earlier play.
The Bennett play will open in the NT Lyttelton while Nation, adapted by Mark Ravenhill, will run for a Christmas season in the NT Olivier, continuing in the tradition of the NT’s past successes there with adaptations of three other children’s novels, Philip Pullman’s His Dark Materials, Jamila Gavin’s Coram Boy and Michael Morpurgo’s War Horse. Coram Boy’s Melly Still directs.
Set in an alternate world of the 1870s, Nation centres on a South Seas boy and a “proper” English girl marooned together on an island called Nation after a devastating tsunami. Though he hasn’t been involved day to day, Terry Pratchett, who announced his Alzheimer’s disease in December 2007, is very “supportive and interested” in the project, said Hytner. Fourteen of Pratchett’s popular Discworld novels have previously crossed over to the stage, as have Truckers and his earlier children’s book Only You Can Save Mankind.
In Hanif Kureishi’s The Black Album - which opens in the NT Cottesloe in July in a co-production with Tara Arts, directed by Jatinder Verma – young British-Asian Shahid is an anxious young undergraduate who becomes involved in an increasingly fundamentalist Muslim activist group during the Thatcher years in London. Kureishi’s last play at the National, Sleep With Me, was ten years ago; more recently, his When the Night Begins premiered at Hampstead in 2004. The author’s best-known works include The Buddha of Suburbia, London Kills Me and My Beautiful Launderette.
Other 2009 NT programme highlights, as previously announced (See News, 17 Sep 2008), include:
Further ahead, the National has rescheduled its upcoming production of Danton’s Death, originally due to be mounted this summer and marking the NT debut of Donmar Warehouse artistic director Michael Grandage. Grandage had to pull out due to his increased Donmar West End directing commitments caused by the withdrawal of Kenneth Branagh as director of the Jude Law-led Hamlet (See News, 14 Oct 2008), which opens at Wyndham’s in June. Grandage has postponed making his National Theatre debut (See News, 17 Sep 2008).
Rather than appoint a new director for the revival of Georg Buchner’s 1835 piece about the French Revolution, the National has postponed Danton’s Death until 2010 so that Grandage can still helm it. The move has left a gap in the NT programme, starting in July, but a replacement production is due to be announced within the next few weeks.
- by Terri Paddock