Review: Gundog (Royal Court)
Simon Longman's play follows a family of farmers working in the wilderness at the end of their tether
Review: The Drill (Battersea Arts Centre)
Breach Theatre's third show looks into how we rehearse for terror attacks
Review: The Captive Queen (Sam Wanamaker Playhouse)
Dryden's Restoration tragedy Aureng-zebe is re-imagined by Barrie Rutter and Northern Broadsides
Review: Carmen (Royal Opera House)
Barrie Kosky puts fun and games centre-stage in Bizet's fierce romance
Review: It Made Me Consider Me (New Diorama Theatre)
Gruff Theatre's site-specific production takes place on an empty office floor
Review: Long Day's Journey Into Night (Wyndham's Theatre)
The Bristol Old Vic production of Eugene O'Neill's Pulitzer Prize-winning piece transfers into the West End
Review: Dublin Carol (Sherman Theatre)
By Jafar Iqbal
Conor McPherson's play is revived in Cardiff
Review: A Girl in School Uniform (Walks Into a Bar) (New Diorama Theatre)
Lulu Raczka's slippery third play focuses on the objectification of women
Review: Booby's Bay (Finborough Theatre)
Henry Darke makes his professional debut at the Finborough Theatre with a show about the Cornwall housing crisis
Review: The Ungrateful Biped (White Bear Theatre)
Rupert Graves makes his directorial debut with this one-man adaptation of Dostoyevsky's 1864 novella