Is it ever OK to leave the theatre during the interval?
By Alun Hood
Following Robert Icke's comments in The Stage yesterday, Alun Hood considers this theatrical taboo
Heads Will Roll director Paul Hunter: 'I create an atmosphere for actors to take risks'
By Paul Hunter
The Told by an Idiot artistic director on their latest production and how he approaches rehearsals to get the most out of his cast
Can theatre have a meaningful impact on the refugee crisis?
By Matt Trueman
Matt Trueman asks how shows like Shôn Dale-Jones' The Duke and Vanishing Point's The Destroyed Room can play a small part in solving the refugee crisis
Playwright Ali Taylor: A modern-day Cathy would struggle in London
By Ali Taylor
Taylor's new play is a response to Ken Loach's Cathy Come Home which looks at the consequences of homelessness
From Tom Hanks to Iggy Pop, Letters Live proves the letter shouldn't become extinct
By Will Longman
The latest incarnation of Letters Live features the likes of Jude Law, Louise Brealey and Stephen Mangan
Matt Trueman: Artists like Kate Tempest expand our horizons
By Matt Trueman
Matt Trueman on poet and playwright Kate Tempest after her scorching appearance on BBC Two as part of Performance Live
Julius Robertson: 'Autistic people have extraordinary minds, this play will help you understand us more'
By Julius Robertson
The Holby City star, who has autism, reflects on his visit to Burning Bridges at Theatre503
Holly Williams: Should we still favour writers over companies?
After experimental theatre company Forced Entertainment received the prestigious International Ibsen Award on the weekend, Holly Williams reflects on why there's still a bias towards the literary in the UK