2016 proved British theatre is better than ever
Matt Trueman on why this year showed British theatre is at the top of its game
Matt Trueman: My top 10 shows of 2016
WhatsOnStage critic Matt Trueman picks the shows he loved in 2016
Hairspray Live is on tonight, but is the trend for TV musicals running aground?
Sarah Crompton looks at the rising trend of staging musicals on TV
Can casting ever really be colourblind?
As the Andrew Lloyd Webber Foundation release a report on BAME talent, Matt Trueman looks at some of the issues surrounding diversity in the theatre
The WhatsOnStage Award nominations prove what great a year it has been
Sarah Crompton reflects on the WhatsOnStage Award nominees and the past year of theatre-going
In this time of cuts, libraries and theatre should team up
By Louise Hill
Artistic director of Attic Theatre Louise Hill on the company's latest production of Great Expectations which takes place among the bookstacks in Wimbledon Library
Pantos are vital for audiences and artists alike
As the pantomime season approaches, Matt Trueman looks at why the Christmas staple is good for theatre in more ways than one
My company was borne out of a lack of Welsh work outside of Wales
By Rebecca Jade Hammond
Artistic director Rebecca Jade Hammond on why she founded her new theatre company Chippy Lane Productions
Gary Owen: Sherman is the most important new writing theatre in Wales
By Gary Owen
The writer of Iphigenia in Splott and the upcoming Killology explains why the Sherman Theatre in Wales is so important to playwrights
I'm with Imelda: People shouldn't munch in the theatre
Sarah Crompton applauds Imelda Staunton's call for food to be banned in theatres