The Connaught's production of The
Sleeping Beauty this year is proof, if ever proof were
needed, that sticking to a traditional formula not only keeps the
audience firmly in its comfort zone and ensures that it will have a
fantastic time, but also guarantees that you’ll have a sure fire
hit – and this production has success written all over it.
From the moment that the evil fairy
appears - in a puff of smoke, of course – the audience throw
themselves into the ritual booing and hissing with gusto. Nikki
Kelly seems to relish this and, with every line, turns her nastiness
up a notch.
Then, stage right, we have the Lilac
Fairy Helen Peters who arrives to change the evil spell from
instant death to a very long sleep. She is given some wonderful
one-liners, although she could do with slowing down the delivery a
little so that they are not missed amongst all the other noise and
action on stage.
Comedian and impressionist Tony Rudd
takes the role of Muddles and, with Peter Jamieson as King Crispin,
between them they do a very good job of the messy decorating scene,
without either of them uttering a word.
Sophie Bloom fulfils every little
girl’s dream when she steps onto the stage as Princess Aurora.
Sounding as perfect as she looks in the part, she displays a
wonderful vocal talent and she obviously loves the fact that she is
playing yet another Princess after starring as Cinderella a couple of
times in the past.
I am sure that the producers won’t
mind me saying that, from the audience reaction, this show seems to
have not one, but two, headliners. First is piano-playing,
Opportunity Knocks-winning, regular pantomime Dame
Bobby Crush. His performance is, quite simply, the ultimate in
He uses the audience to get the laughs
with incredible skill and, despite wearing the most amazing array of
costumes, never gets overshadowed by them. Anyone seeking a
masterclass in portraying the consummate pantomime Dame need look no
further than Crush for their inspiration.
But Crush shares the limelight with a
young man who, although it is hard to believe after seeing how well
he performed, is making his pantomime debut. Superstar
finalist Jon Moses as Prince Valiant strides across the stage and
delivers his lines with real confidence and, in superb pantomime
prince style, more than a small helping of cheese.
Displaying the amazing vocal talent
that took him so far in the search for Jesus, and that can now be
heard on his first record release he blasts through an amazing
variety of songs, from power ballads like "Somewhere
out there" all the way through to David Guetta’s
massive 2012 hit "Titanium".
He also shows off a capacity for comedy as well, with his slow-motion
fight with Carabosse one of the highlights of Act Two.
In the very best tradition the show
ends with the wedding scene where all 16 dancers join the main
players to show off amazingly sumptuous costumes before dancing down
into the auditorium to encourage the audience to get up and dance –
although it has to be said that no encouragement was necessary. The
whole audience had such a great time that it was only too happy to