Reviews

Donal Fleet: A Confessional (24:7 Festival)

Editorial Staff

New Century: 2, Manchester

It’s not terribly clear at the conclusion of this one act play running as part of Manchester’s 24:7 Festival as to exactly what Donal Fleet’s confession actually is and this is a shame as the piece has the makings of a very interesting insight into the complexity of dysfunctional relationships and the repercussions of past mistakes.

Lloyd Peters plays Donal Fleet, a writer on the brink of moving, whose flat is unceremoniously invaded by the Lad (James French) and the Woman (Szilvi Naray-Davey). Mystery shrouds the two guests and Donal is clearly deeply uncomfortable in their presence. Who they are and why they are there is explored quite cleverly through a dangerous opening of closets that, by the conclusion, leaves all three emotionally drained and shocked.

Peters is excellent as Fleet, managing to avoid many of the clichéd mannerisms associated with the portrayal of struggling writers. French, who is still a student, shows real potential as a dramatic actor and he and Peters work well together. Naray-Davey takes time to warm up but as she settles into the role her confidence grows and thus her performance becomes stronger.

Ian Sculley’s stage design is basic and functional but a little crowded and I certainly got the impression that director Frances Piper would have appreciated a larger stage.

Although there is no live band, original music by Anton Hunter serves to enhance the atmosphere. Using original music in a play on a scale as small as this is definitely to be applauded.

– Malcolm Wallace