Anastasia Hille

Theatre credits include Othello, The Winter’s Tale (RSC), Oresteia (Park Avenue Armory, New York), A Midsummer Night’s Dream, The Jewish Wife, The Maids (Young Vic), Hamlet (Barbican), The Effect – Olivier Award nominee for Best Supporting Actress, Dido, Queen of Carthage, Waves, Women of Troy, A Dream Play, The Oresteia, Richard III (National Theatre), Macbeth (Cheek by Jowl, European tour, New York), The Master Builder – Olivier Award nominee for Best Supporting Actress(Almeida Theatre), Forty Winks (Royal Court Theatre), As You Like It (Shakespeare’s Globe), Ashes to Ashes / Mountain Language (Royal Court Theatre, Lincoln Center, New York), Measure for Measure – Ian Charleson Award recipient and Duchess of Malfi (Cheek by Jowl, international tours).

Her television includes Twenty Twenty Six, The Lady, Steal, The Couple Next Door, A Gentleman in Moscow, Van der Valk, I Hate Suzie, A Spy Among Friends, Dalgliesh, The Ipcress File, Baptiste, The Pembrokeshire Murders, Silent Witness, Keeping Faith, The Last Kingdom, West of Liberty, Requiem, Wanderlust, Requiem, Humans, Not Safe For Work, You, Me and the Apocalypse, Prey, The Missing, The Tunnel, Getting On, The Bletchley Circle, The Fear – BAFTA nominee for Best Supporting Actress, Bert & Dickie, The Bletchley Circle, Foyle’s War, Lewis, Poirot, Spooks, Tripping Over, Cutting It, Outside the Rules, The Cazalet Chronicle, RKO 281, Storm Damage and Big Women.

And for film: Joy, Love Gets a Room, Martyr’s Lane, Mamma Mia! Here We Go Again, Tulip Fever, A United Kingdom, Trespass Against Us, The Riot Club, Snow White and the Huntsman, Awakening, Good, Bloodline, The Hole, Five Seconds to Spare, New Year’s Day and The Escort.