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Latest News

Edward Hall: Propeller's future 'called into question' by ACE funding withdrawal
By Theo Bosanquet · 1 Jul 2014

The all-male Shakespeare company lost its NPO status today

Catherine Love: My top theatre picks for July
By Catherine Love · 1 Jul 2014

Theatre to look out for in July includes Edinburgh previews, European imports in Birmingham and a packed line-up at Latitude

Orange Tree loses NPO funding as small companies bear brunt of Arts Council cuts
By Theo Bosanquet · 1 Jul 2014

The Richmond venue is among 58 organisations to lose National Portfolio status today

Catherine Love: International ideas benefit audiences everywhere
By Catherine Love · 12 May 2014

The caravan showcase, currently taking place as part of Brighton Festival, is a reminder of the benefits of international exchange

Gary Lucy leads new Full Monty cast, tour starts September
By Editorial Staff · 9 May 2014

Lucy will star alongside Andrew Dunn, Louis Emerick, Rupert Hill, Martin Miller and Bobby Schofield

Paines Plough's James Grieve and George Perrin: 'We strive to be a truly national theatre of new plays'
By James Grieve and George Perrin · 6 May 2014

As Paines Plough turns 40, its joint artistic directors tell WhatsOnStage how they're celebrating with the company's biggest season yet

Globe on Screen returns with Macbeth, The Tempest and more
By Rosie Bannister · 2 May 2014

Shakespeare's Globe will broadcast three of its 'Season of Plenty' productions to cinemas around the world later this year

National confirms full dates for Curious Incident of the Dog in the Night-time tour
By Editorial Staff · 1 May 2014

The 31 city tour opens at the Salford Lowry in December

Ben Richards: Rock of Ages more suited to regional audiences than to London
By Glenn Meads · 30 Apr 2014

We talk to Ben Richards, whose credits include Oliver!, 9 to 5 and Priscilla Queen of the Desert, as he prepares to play Stacee Jaxx in the musical Rock Of Ages on tour

Catherine Love: Musical matters
By Catherine Love · 28 Apr 2014

Love it or hate it, is there a limit to what subject matter the musical form can be used to tackle?