The Boatswain’s Mate

Written in 1914 and unseen in London for more than 50 years, The Boatswain’s Mate is Smyth’s fourth and most obviously feminist opera. A witty and inventive battle of the sexes, it features a feisty heroine – supposedly based on Emmeline Pankhurst – who outwits her suitors in a series of entertaining and resourceful deceptions. Mrs Waters is a wealthy widow whose first husband has left her with a country pub and a determination never to remarry. When the retired boatswain George Benn devises a scheme to win her hand by ‘saving’ her from a burglar whom he has in fact paid to break in, he reckons without her bravery and quick-wittedness.

Music: Ella Fitzgerald, Nina Simone, Billie Holiday. Live and recorded music.

Studio 1. Grimeborn Opera Festival