Theatres might be closed but you can still celebrate Pride month!
June is Pride month and, while venues up and down the country are sadly closed – that doesn't mean that you can't get your theatre fix from the printed page! We've picked out a mere slice of the canon with 20 stage plays that can educate and celebrate.
This play was a solid hit when it ran at the King's Head Theatre a few years ago, exploring the love affair between two black men over three nights, each separated by one month.
Before he penned the screenplay for hit film Moonlight, McCraney was making all sorts of waves with his powerful writing. Though many many shows would be perfectly pertinent to read this month, we've gone with Wig Out!.
One of the best new musicals of the last decade, Fun Home is based on Alison Bechdel's brilliant graphic novel and explores how different generations and genders can experience gay romance.
Taylor Mac has been pivotal in transforming contemporary ideas of gender and performance over a massive career. His play Hir examines what it is like to have a transgender child in a household.
The Pulitzer-winning musical hasn't yet arrived in the UK but is on Spotify, and it's certainly worth reading up on because we expect it'll only go from strength to strength over the coming years.
Daniels' Neaptide was the first full-length play by a female playwright at the National Theatre – premiering just under 35 years ago in 1986. It describes the life of a lesbian mother in the '80s, facing a custody battle and uncertainty over her career as she comes out.
Its run at the Menier Chocolate Factory was cut short by the pandemic (though it will be back, we're assured) but in the meantime, it's well worth checking out the play, which won a number of awards after its US premiere.
Mississippi-dwelling gender non-binary writer Barnes is one of the most exciting new voices of the last decade. Their play BLKS was originally penned at university but was later performed by Steppenwolf's Theatre Company in Chicago in 2017.
Crowley's 1968 play was one of the first to put gay men's lives onstage in an accessible and unapologetic way and, given that the playwright sadly passed away in the last year, now would be a great time to read up on Crowley's works.
The piece was meant to have had its UK premiere at the Almeida Theatre this year (but has been postponed due to the virus) and follows a young black artist who becomes involved with an older European art collector.
The struggle to assert your trans-identity is brought into blistering clarity in Kaufman's piece, which follows Archer, who returns to his Central Oregon family where he is still referred to as Angela.
Penned by Clifford in collaboration with National Theatre of Scotland, the piece is based on Clifford's own experiences and is a vital account of trans experiences in the UK.
Mika Johnson's play is very recent, having only just had its world premiere at the Edinburgh Fringe as part of HighTide and Queer House's season. Our critic Daisy Bowie-Sell said that Johnson is "a dynamic new voice" in her dissection of what it means to be masculine or feminine, and we certainly agree.
Pamatmat's play sees three youngsters growing up in isolation and, in their own little world, develop unique relationships that are enriching, uplifting and more – a great piece that needs to be seen in the UK.
The New York Times described Ain't No Mo as "thrilling, bewildering, campy, shrewd, mortifying, scary, devastating and deep", exploring both contemporary black American life and the legacies of slavery and the treatment of African-Americans over the decades.
Brittain's Rotterdam is one of the most successful British plays to come out of recent years, charting trans experiences and relationships. It recently completed a hit tour.
US playwright Barfield writes a touching and heartfelt play about a lesbian couple's relationship that spans decades – juxtaposing the timelessness of love with the contemporary significance of telling same-sex romantic stories.
Nathan Lane led this hit Tony Award-winning comedy about the lives of burlesque performers during the 1930s, especially stock camp characters known as "nances".
Here's a fun one – Linder and Hobgood's piece follows five members of The Susan B Anthony Society for the Sisters of Gertrude Stein who are isolated together after an atomic explosion. Its quarantine-y vibes may be very apt for the current circumstances.
Another recent play that only just had its premiere, The High Table sees generations (living and not) come together for a lesbian couple's wedding.
Also try:
Last Summer at Bluefish Cove by Jane Chambers
The Inheritance by Matthew Lopez
Angels in America by Tony Kushner
Beautiful Thing by Jonathan Harvey
Torch Song Trilogy by Harvey Fiersten
The Drag by Mae West
Coming Clean by Kevin Elyot
Since U Been Gone by Teddy Lamb