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Interviews
Year of the Producer: Emma Stenning on reopening Bristol Old Vic
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Blogs
Michael Coveney: Roar of the Greasepaint, Smell of the Crowd
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Interviews
Year of the Producer: Clive Conway’s Eureka Moment for An Audience With
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Interviews
Year of the Producer: The Donmar Warehouse’s Kate Pakenham on … Commercial vs subsidised
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Features
Year of the Producer: Julius Green on … How to close a West End show
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Blogs
Year of the Producer Blog: Kate McGrath on co-running Fuel
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Reviews
Educating Rita (Tour – Oxford)
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Interviews
Year of the Producer: Barbara Broccoli’s Eureka Moment for Chariots of Fire
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Features
Year of the Producer: Chicago’s Barry Weissler On … Celebrity casting & getting your hands dirty
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Features
Year of the Producer: Kenny Wax’s Eureka Moment for Top Hat
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Interviews
Year of the Producer: Michael Harrison’s Eureka moment for Susan Boyle musical I Dreamed a Dream
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Interviews
Year of the Producer: Kim Poster’s Eureka Moment for Long Day’s Journey into Night
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Features
Year of the Producer Blog: Scouring the world for Shakespeare
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Features
Year of the Producer: Caitlin Albery Beavan’s Eureka Moment for Shivered
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Video
Year of the Producer: Bill Kenwright on Lloyd Webber & future plans
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Features
Year of the Producer: Women leading the way
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Interviews
Year of the Producer: Tom Kirdahy’s Eureka Moment for Master Class
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Interviews
Year of the Producer: Adam Spiegel’s Eureka Moment for Midnight Tango
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Blogs
Year of the Producer Blog: Taking the plunge
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Blogs
Year of the Producer Blog: The Journey from Actor to Producer
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Features
Year of the Producer: Howard Panter & Rosemary Squire On … Topping the Charts
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Blogs
Year of the Producer Blog: Making It Pay & Paying the Actors
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Features
Year of the Producer: Take Five … Blockbuster Musical Producers
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Blogs
Year of the Producer Blog: Fabric of the Fringe