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SU PinWen’s performance art piece Girl’s Notes interrogates notions of gender, drawing inspiration from the traditional views set out in a Taiwanese text which directs girls in the ‘correct’ way to be a woman. Featuring live on-stage pianist LIN Mai-ke, this captivating work explores the intentions behind our everyday actions. In Comme un symbole, French visual artist and choreographer Alexandre Fandard embodies the image of the marginalised youth, bursting onto the stage to portray a figure as despised as it is eroticised. The work subverts this stereotype in a way that is both deeply compelling and ultimately surprising