The Sound of Music at Curve, Leicester – review

One of the world’s most beloved musicals, The Sound of Music is the final collaboration between Richard Rodgers and Oscar Hammerstein II. Inspired by the true story of The Von Trapp Family Singers, it recounts a journey of resilience, courage, love, and hope set against the terrifying backdrop of World War II.

Maria, a novice nun, is perceived by some as a problem, by others as a moonbeam. She shines brightest when singing. Struggling to conform to convent life, she is loaned out to the von Trapp troupe to serve as governess to seven children. Squaring up to the strict patriarch and widower Captain von Trapp, Maria brings music, magic and mayhem into the lives of the children.

Her positivity and love for life enchant the entire family, melting even the Captain’s stern resolve, as romance blossoms between them. But their happiness is short-lived when he is ordered to serve in the German navy. Faced with the looming threat of Nazi control, they risk everything to embark on a perilous escape.

Directed deftly by Nikolai Foster, this “Made at Curve” Christmas production marks the 60th anniversary of the much-loved film adaptation’s release. It’s a charming and captivating rendition, chock full of stunning performances and rich in visual and sensory detail. Michael Taylor’s set and costumes transport us to 1920s Austria, with a woodland stage, framed by forest decor, a real rock pond and the iconic hills standing proudly in the background. A variety of windows, a chandelier, and an ornate staircase are seamlessly introduced to define different settings, while the backdrop of nature remains constant.

Mark Henderson’s lighting design enriches the production with an intricate interplay of washes, creating an atmosphere that lifts the emotional resonance of each scene. Complementing this visual artistry, the musical direction of David Doidge and the choreography of Ebony Molina enhance performances that are both refined and evocative. Their work seamlessly bridges nostalgia and innovation, honouring the timeless appeal of the original songs, while introducing a contemporary flair that revitalises the classic for modern audiences.

Molly Lynch is astounding as Maria, bringing warmth, charm, and vulnerability to the role with effortless grace. Her journey feels authentic and captivating. David Seadon-Young offers an intriguing take on the Captain. Passionate and vocal, with a sudden playfulness, his arc lacks the fluidity of Lynch’s. Together, however, their chemistry is delightful.

The children are consummate professionals, each and every one delighting thoroughly. Minal Patel plays Max Detweiler with a flair of frivolity and humour, which marries nicely with Faye Brookes’ frosty Else Schraeder. Rachel Izen delivers a masterclass as Frau Schmidt, proving that deadpan can brim with emotion. Vocally, the production is sublime. Joanna Riding’s duet with Lynch is a standout, while Aviva Tulley’s crystalline tones elevate every number. Lynch enchants with “The Sound of Music” and “The Lonely Goatherd,” her vocals nothing short of impeccable.

The Sound of Music bursts with beautiful sets, lavish costumes, and powerhouse performances that will leave you spellbound. Packed with unforgettable songs that lift your heart, it’s a show you’ll cherish. This stage sensation is guaranteed to become one of your favourite things!