Invisible examines the forces of migration in the world and is written by Croatian playwright Tena Stivicic and directed by Complicite’s Douglas Rintoul. The Crowstarver is aimed at children of 8+ and Victoria Firth promises beautiful puppetry along with the human action!
The adaptation of the Arthur Conan Doyle story is by well-known actor Clive Francis. First staged at the Nottingham Playhouse in 2004, it initially was performed by four male actors, one as Holmes, Watson divided between the other three who played all other parts, too. For a national tour of 2007, Francis enlarged the cast to five and gave Watson to a dedicated actor. Now he is making further changes (the LBT performances will be the world premiere of this version), but the cast remains at five, three of them playing multiple parts.
Kevin Shaw enthuses over the adaptation (“brilliant, very faithful to the original, definitely not a spoof, but creating humorous moments”) and also over working with Imitating the Dog, the avant garde theatre company whose projections will be a key part of the design. He is coy about telling how the hound will be created, but one feels that Imitating the Dog is only too true!
Oldham Coliseum has various other projects to tide over the closure period. I particularly like the idea of reviving a former performance venue, the Grange Arts Centre, for an in-the-round production of Alfie that will then tour to all the major “round” venues except the Royal Exchange. An open-air spectacular of Star Crossed (a Lancashire take on Romeo and Juliet) in Alexandra Park in defiance of Oldham’s 12-month rainy season is a noble act of faith! But first of all it’s on the road for Huddersfield and Dartmoor, with coach trips arranged from the Coliseum so regulars can go to the theatre just as usual, only a bit earlier!