Seven Brides for Seven Brothers (New Alexandra Theatre, Birmingham)

Based on the MGM film of the same name, this is a classic musical, one of the old favourites from the golden age of musicals.

In Midwest America in the mid 19th century, Adam Pontipee (played more than ably tonight by the understudy Alex Hammond) needs a wife to look after his farmhouse and brothers; he sees what he wants and gets it. Milly (Helena Blackman), his new wife, arrives on the farm to discover she will be looking after seven almost wild men. The story follows how she makes the brothers into the men they need to be to get a wife by normal means, rather than by the courtship of five minutes she had fallen for.

The brothers are all a joy to watch but Sam Stones' hot headed Frank and Jack Greaves' gentle but strong, beautifully voiced youngest brother Gideon have stand out moments. Blackman’s Milly is engaging as she takes you with her through her many emotions, her voice rich and enchanting.

There are a few catchy songs which are accompanied by some stunning and acrobatic dance routines. “Goin’ Courtin'” was a wonderful example of the brothers' change in attitude and style, starting with them dancing badly in blankets and ending neatly dressed and dancing well. The epic "Social Dance" sees the town boys in a dance battle with the Pontipee Brothers. The energy and enthusiasm from all match the fantastic choreography of Patti Colombo, which include some amazing catching of the girls.

At times there are parts of the otherwise detailed, inventive and clever set that look out of place. The over rickety, wobbly barn and trees at the back of the stage that are still moving up or down part way into the next scene are a mild distraction.

While the subject of the show may not be relevant or even politically correct in today’s world, it is an excuse for a song and dance spectacular that will get your toes tapping and hands clapping.