Reviews

Disney’s High School Musical at Troubadour Wembley Park Theatre review – exactly what I’ve been looking for

Joseph Houston and William Whelton’s revival, marking the show’s first UK non-replica staging, runs until 3 January

Hang Yuen

Hang Yuen

| London |

20 October 2026

KayCee Stroh and Harry Judd in High School Musical
KayCee Stroh and Harry Judd in High School Musical, © Matt Crockett

What a thrilling performance! From the opening Wildcats sing-along to the cheerleaders’ playful interactions with the audience, this production establishes an infectious energy that carries throughout the show. The audience participation is far more than an entertaining gimmick; it draws spectators into the world of High School Musical, transforming a familiar story into an immersive theatrical experience.

The stage design is a particular triumph. Set on a basketball court, the production makes ingenious use of every inch of space, creating the impression that the audience has stepped directly into the world of the original film. The basketball court, overhead television screen, kiss cam and occasional “on air” announcements convincingly recreate the atmosphere of a live sporting event. Meanwhile, the inventive use of locker doors as pop-up stages, including the rooftop setting for Troy (Tobias Turley) and Gabriella’s (Leonor Correia) duet, demonstrates considerable theatrical creativity. The telephone scene is another highlight, elevated by sophisticated lighting, while the black-and-white imagery accompanying one of Troy and Gabriella’s duets creates a strikingly retro, cinematic moment.

The production’s pacing is equally impressive. Jack Scott (Curtis Patrick) acts as an effective bridge between scenes, sustaining the momentum with witty transitions and inventive staging. The audition sequence is particularly playful, combining excellent choreography with distinctive characterisation.

The sibling dynamic between Ryan and Sharpay (Luke Bayer and Caitlin Tipping, respectively) is slick and polished, while the multi-talented cast navigates multiple roles, rapid scene changes and even live piano accompaniment by Olesya Rulin’s Kelsi Nielsen with admirable dexterity. The live band further enriches the experience, breathing fresh theatrical life into the familiar soundtrack.

One especially meaningful touch is the appearance of KayCee Stroh, who played Martha in the original movie franchise and now returns as Ms Darbus, the drama teacher. Her presence offers a delightful bridge between the film and its stage revival, adding an extra layer of nostalgia while allowing audiences to appreciate her evolution as a performer over the past two decades.

Nevertheless, a few casting and musical choices leave room for improvement. The casting of Turley as Troy raises questions about the authenticity of the high-school setting, particularly in terms of age and overall believability. Vocally, the harmonies between Troy and Gabriella occasionally lack cohesion, while Turley’s performance, relying mostly on his head voice without proper support, thereby resulting in a relatively one-dimensional vocal sound, sometimes falls short of the emotional depth needed to give the material its full impact.

There are also a handful of smaller details that momentarily distract from the overall illusion. Coach Bolton (Harry Judd) wearing Adidas trousers with Nike trainers is a minor costume inconsistency, although hardly a deal-breaker. Tipping’s vocal performance is nothing short of extraordinary, though the character’s commanding presence can feel rocky. By contrast, Meg Silsby’s consistently sharp, character-driven expressions are magnetic, making it easy to understand why she is the first cover for Sharpay Evans. Her commitment to the character is compelling, demonstrating how much expressive detail can contribute to a performance.

Ultimately, reviving High School Musical is no small undertaking. Its characters, songs and storyline are deeply embedded in the childhood memories of an entire generation. Simply reproducing the film on stage would never be enough. This production succeeds by embracing that nostalgia while adding theatrical ingenuity, audience participation and the exhilarating immediacy of live performance.

Electric, heart-racing and magnificently entertaining, this revival brings a beloved classic back to life with considerable flair. Despite a few inconsistencies, its infectious energy, creative staging and moments of genuine theatrical magic make it a thoroughly enjoyable experience for fans old and new. A must-watch for Wildcats past and present.

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