This revival
of Simon
Stephens‘ 1998 play is beautifully acted and imaginatively
staged. It serves as a
reminder of our capacity to confess our darkest and most private
thoughts to
perfect strangers and examines the safety we find in anonymity.
At times I
found the
lighting and transition sequences to be oddly aggressive and the
sound design
heavy handed. Whilst I understand the audience needs one fare to
be swept away
as the next is accepted, these moments seemed to be slightly at
odds with the
delicate renderings of the many people Jimmy meets as he travels
round London.
– Chris Hill