Factfile: Meet the National's new artistic director
Here's the CV that landed Rufus Norris the top job in British theatre
He trained at the Royal Academy of Dramatic Art (RADA) and was an actor for several years before turning to directing.
He has been an associate director at the National Theatre since 2011.
For the National he has directed The Amen Corner by James Baldwin (Olivier Theatre, 2013), Table by his wife Tanya Ronder (The Shed, 2013), London Road by Alecky Blythe and Adam Cork (Cottesloe Theatre, 2011, Olivier Theatre, 2012), Death and the King's Horseman by Wole Soyinka (Olivier Theatre, 2009) and Market Boy by David Eldridge (Olivier Theatre, 2006).
He was an associate director at the Young Vic from 2002 – 2007, where he has directed Feast by Yunior García Aguilera, Rotimi Babatunde, Marcos Barbosa, Tanya Barfield & Gbolahan Obisesan (2013), Vernon God Little by DBC Pierre, adapted by Tanya Ronder (2009 & 2011), Herge's Adventures of Tintin which he adapted with David Greig (Barbican 2005, UK tour and West End 2007), his own adaptation of Sleeping Beauty (Young Vic 2002, Barbican 2004, UK and international tour); Peribanez by Lope da Vega, in a version by Tanya Ronder (2003) and Afore Night Come by David Rudkin (2001: Evening Standard Best Newcomer Award).
Other work has included: Cabaret (Lyric Theatre 2006, Savoy Theatre 2012, also on tour 2013); Clifford Odets' The Country Girl (Apollo Theatre and tour 2010); Les Liaisons Dangereuses (Broadway, 2008: five Tony nominations); Festen, adapted by David Eldridge (Almeida 2004 and subsequently in the West End, on tour and on Broadway: Evening Standard and Critics' Circle Awards for Best Director), and Blood Wedding (Almeida 2004).
His earlier work included Dirty Butterfly and Two Women by debbie tucker green (Soho Theatre, 2003 & 2000 respectively), Small Change by Peter Gill (Sheffield Crucible, 2002), Tall Stories (Battersea Arts Centre and Vienna Festival, 2002), Shakespeare's The Tempest and The Lizzie Play by Deirdre Strath (Arts Threshold, 2002), Sea Tongue (Huddersfield Contemporary Festival, 2001), Under the Blue Sky by David Eldridge (Royal Court, 2000), My Dad's Cornershop by Ray Grewal (Birmingham Rep, 2000), Mish Alla Ruman (Al Kasaba Theatre, Palestine) About the Boy by Ed Hime and Clubbed Out by Ezra Elia (Royal Court, 1998).
He was director of Arts Threshold from 1993 to 95, and of Wink Productions from 1995 to 2000.
Opera includes Dr Dee, which he co-created with Damon Albarn (Manchester International Festival, 2011 and ENO, 2012), and Don Giovanni (ENO, 2010).
Norris' debut feature film Broken premiered at Cannes in 2012 and won Best Film at the British Independent Film Awards earlier this year. Next year he will direct the film adaptation of London Road.