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Reviews

The Roaring Girl (Swan Theatre, RSC)
By Simon Tavener · 16 Apr 2014 · Central

Lisa Dillon stars in the opening production of the RSC's 'Roaring Girls' season

'Tis Pity She's A Whore (Barbican)
By Jenny Naish · 16 Apr 2014 · London

Cheek by Jowl restore the 17th century play, producing an incestuous tragedy which leaves a 'strange but thought-provoking aftertaste'

Good People (Noel Coward Theatre)
By Theo Bosanquet · 16 Apr 2014 · London

Jonathan Kent's production of David Lindsay-Abaire's Tony-winning drama, starring Imelda Staunton as a downtrodden Bostonian, transfers to the West End

Relative Values (Harold Pinter Theatre)
By David Phipps-Davis · 15 Apr 2014 · London

Trevor Nunn's Theatre Royal Bath revival of Noel Coward's class comedy comes to the West End

Oh My Sweet Land (Young Vic)
By Kieran Corcoran · 15 Apr 2014 · London

Corinne Jaber's one-woman play explores the crisis in Syria through the stories of its two million refugees

The Notorious Mrs Ebbsmith (Jermyn Street Theatre)
By Carole Gordon · 15 Apr 2014 · London

In it's first ever revival, Primavera brings back a 'largely forgotten piece of theatre' from 1895

The Malcontent (Sam Wanamaker Playhouse)
By Maisie Collins · 14 Apr 2014 · London

The actors of the Globe Young Players succeed in tackling the play's inherent complexity

She Would Walk the Sky (Roundhouse)
By Carole Gordon · 14 Apr 2014 · London

Company 2 combine circus and theatre in this captivating new production

Hetty Feather (Rose, Kingston)
By Jane Martin · 14 Apr 2014 · London

This lively adaptation of Hetty's life story uses circus skills to thrilling effect

A View From the Bridge (Young Vic)
By Michael Coveney · 14 Apr 2014 · London

Ivo Van Hove's production, which sees Mark Strong return to the stage after more than a decade, doesn't disappoint

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