QUOTE(Mr Fix 22 @ Oct 18 2008, 12:17 AM)

I am in no way associated with BK Ltd and have never been employed by him or his company, however, whatever his faults may be, we must remember he is one of the biggest employers in our industry.
And unless the members on here who jump to the same tired old responses have actually had the graft and mounted a tour of their own, with an even semi successful outcome, I'm not entirely sure you should be too critical of a potential Chess outing.... lets see what he does with it.
Have seen several versions of the show ranging from Sidcup to Somerset as well as minor involvement with the RAH concert version... not a personal favourite show of mne but always intrigued as to how its interpreted.
Lets see what comes of it.
Of course, anyone should be given the benefit of the doubt, wait til it's open etc, but are you saying that it's better to have average shows with average production values, than no shows at all? As a paying customer I have to have been through the rigours of creating the product to have an opinion on it? "My flight on Easyjet today was appalling.....well have you tried flying a plane? You really shouldn't criticise til you've tried it etc" Art is there to be commented on, and if the responses are tired and old (ie the same) then perhaps there is no smoke without fire.
I certainly agree that Kenwright puts his money where his mouth is, producing plays aswell as musicals that may be of less than mass appeal and for that he is to be applauded. He has obviously hit upon a low cost (which I'm sure is still phenomenally expensive) formula for touring, and is therefore a big employer. It's easy (and fun!) to bash him and jokily speculate about what soap/reality star he'll cast next, but the same is true to a lesser extent of ALW, Sonia Friedman et al.
'Chess' is a real enigma because it is fantastic musically but it's story is really very dull, hence the constant re-jigs to try and make it cohesive and interesting at the same time. That no-one has given up on it after 25 years is very flattering and a testament to the fact that it must have something. But I do feel that until someone uses giant robots as chess pieces, and Idina Menzel and Josh Groban sign up for a year that 'Chess' will continue to be an anomaly and the one that got away.