QUOTE(Backdrifter @ Jan 31 2008, 10:01 AM)

I hate Shakespeare on screen, whether it's one of these stage-productions-on-film jobs or a feature film. For me, it simply never works. I have a similar problem with musicals - both things are, for me, solely stage creations.
I know Peter Hall has the same problem with Shakespeare on film (he said so in a talk he gave at the NT about 3 years ago) but I wonder if anyone else here does.
Have you ever seen Ian McKellen on stage or on film?
He is absolutely superb.
I am convinced he is going to make it work. Brilliantly.
He's just had a short stint with KL at Stratford:
KING LEAR Written by William Shakespeare Directed by
Trevor Nunn Ian McKellen in the role of King Lear Courtyard Theatre, Stratford-upon-Avon, followed by World Tour 24 March 2007 - 12 January 2008
The reviews were , really, outstanding.
"This is a superlative performance from McKellen" — Benedict NIghtingale,
The Times "Having spent his youth scaling the peaks of Shakespeare with spectacular bravado in his native England, Mr. McKellen has recently acquired international stardom in not one but two cult series of movies, 'X-Men' and 'The Lord of the Rings.' In those fantasy films Mr. McKellen portrays commanding creatures of metamorphic gifts unknown to ordinary humans. But such powers are slight compared with what he achieves as Lear: a series of metamorphoses that, while drawn in the supernal element of theatrical flame, nonetheless hold up an uncompromising mirror to the future for any ordinary human who has the good (or bad) fortune to live past his prime. Mr. McKellen embodies onstage what the critic Harold Bloom has called 'the terrible intimacy' that 'Lear' inspires in the reading. " -- Ben Brantley,
The New York Times "The boldness of Nunn's approach both protects and enhances the production's crown jewel performance by Ian McKellen, whose generous and profoundly human interpretation of Shakespeare's tragic king ranks right up there with those of the gods of theater, living and dead." -- Marilyn Stasio,
Variety "Sunday newspaper drama critics duly added their approving voices yesterday to the daily paper critics' enthusiastic verdicts last week. Most of them agree that Sir Trevor Nunn's Royal Shakespeare Company productions at Stratford of Shakespeare's
King Lear and Chekhov's
The Seagull - the former with Sir Ian McKellen in the title role, the latter with him in a brilliant secondary part, are very notable theatrical milestones." —
The Guardian "One of the most lucid, powerful and moving productions of this great tragedy I have ever seen" — Charles Spencer,
The Telegraph "McKellen, intoning 'never' over Cordelia’s corpse like an old, muffled church bell: a hauntingly painful ending to one of his finest performances." — Benedict Nightingale,
The Times "It is for McKellen, and his triumphant progress towards a kind of enlightenment, that I shall really remember the occasion." — Michael Billington,
The Guardian "This is a fine production, beautifully designed and lit, with a commanding central performance by McKellen." — Peter Wood,
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