Split Britches – Last Gasp

Equipped with a bulletproof vest, some know-how and a touch of irony, Peggy Shaw and Lois Weaver use spoken word and movement as a call and response to urgent global predicaments. Two icons of lesbian-feminist theatre: solo yet somehow interdependent. Speaking from a microphone of her own narcissistic tendencies, fragile identities and privilege, Shaw’s poetic musings are interspersed with Weaver’s micro dance essays in which she wryly upends