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Blogs
Appointments in the past – Clive Judd explains his Papatango-winning play ”Here”
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Blogs
Sarah Crompton: The dust has settled after the Arts Council’s announcement – but my fury remains
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Blogs
Hilary Mantel is a huge loss to the stage, as well as the page
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Blogs
Amy Trigg: ”Reasons You Should(n’t) Love Me” started because I wanted more control over the stories I told
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Blogs
Renu Brindle on ”Silence”: ‘My family never fully revisited their past. No words, no outpourings’
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Blogs
Karim Khan: Broadcasters are still too afraid to commit to Muslim storytellers
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Blogs
”Please, Feel Free To Share” – two years of patience pays off at the Fringe
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Blogs
Thirty years of the Birmingham Stage Company – from dressing room offices to West End success
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Blogs
Edinburgh Blog: How a chance encounter grew into a ‘mesmerising’ show
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Blogs
Edinburgh Blog: How making theatre is just like chemistry
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Blogs
Edinburgh Blog: How my play about illness became something bigger
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Blogs
Edinburgh Blog: Joe Sellman-Leava on the impact of winning a Fringe First
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Blogs
Edinburgh Blog: Producer Ellie Keel on the ‘rare alchemy’ of new plays
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Blogs
Space – a fresh frontier: how the West End is rewriting its own rulebook
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Blogs
Kendrick Lamar produced the best piece of performance art seen this year
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Blogs
Understudies are the biggest stars at this year's West End Live
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Blogs
A tale of two cities – which Broadway shows are London-bound?
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Blogs
Sarah Crompton's preview of LIFT 2022: 'Unlike anything on offer elsewhere'
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Blogs
The Tony Awards were a massive endorsement of UK theatre – and our government clearly doesn't care
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Blogs
Bye bye Belleville – how Cinderella never got its fairytale ending
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Blogs
Why musicals need escapism escapes me
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Blogs
Alun Hood on Mike Bartlett: 'The variety of tone is astonishing'
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Blogs
Solving the West End traffic jam
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Blogs
Sarah Crompton's verdict on the Oliviers: 'Awards ceremonies are curious things'