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ENB Tour My First Ballet: Coppélia
By Glenn Meads · 9 Apr 2014 · Southwest

English National Ballet and English National Ballet School present a classic piece, adapted for young people.

Caroline Sheen stars in Rags West End charity concert
By Editorial Staff · 8 Apr 2014 · London

The one-off event takes please on 28 April in aid of Centrepoint

Quiz: How many of these showtunes can you guess?
By Ben Hewis · 8 Apr 2014 · London

This game is simple, we give you an image, you guess the showtune! Answers at the bottom of the article, tweet your results to @WhatsOnStage

Nigel Lindsay: 'Every actor I know wants to work at the National Theatre'
By Theo Bosanquet · 8 Apr 2014 · London

WhatsOnStage Award winner Nigel Lindsay has returned to the National Theatre for the first time since The Pillowman in 2003 to star in a revival of Alan Ayckbourn's A Small Family Business

Video: Dirty Rotten Scoundrels Q&A with Samantha Bond, Rufus Hound, Lizzy Connolly and Dominic Shaw
By Ben Hewis · 8 Apr 2014 · London

After our club outing, WhatsOnStage features editor Ben Hewis led a discussion with members of the cast

1st Night Photos: Apollo reopens in style with Let the Right One In
By Editorial Staff · 8 Apr 2014 · London

John Tiffany's National Theatre of Scotland production opened to press in the West End last night

Let the Right One In (Apollo Theatre)
By Michael Coveney · 8 Apr 2014 · London

The Apollo reopens in style with the West End transfer of this vampire thriller

Around the world in 8 Elphabas
By Ben Hewis · 7 Apr 2014 · London

We look at the actresses playing the green witch around the world

Michael Coveney: Good news as Apollo reopens and Tricycle Young Company takes off
By Michael Coveney · 7 Apr 2014 · London

The Apollo Theatre opens its refurbished doors with vampire thriller Let the Right One In, while across town the Tricyle Young Company brings a new community play, The Kilburn Passion, to the stage

Catherine Love: Is crowdfunding really the future?
By Catherine Love · 7 Apr 2014 · Southwest

Crowdfunding might be a great way to raise extra money for theatre projects, but is it really the future of theatre fundraising?

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