The 2004 winners’ names are presented in bold below, alongside their competitors:

BEST ACTRESS

- Eileen Atkins for HONOUR at the NT Cottesloe
- Helen Mirren for MOURNING BECOMES ELECTRA at the NT Lyttelton
- Ann Mitchell for THROUGH THE LEAVES at the Duchess
- Kelly Reilly for AFTER MISS JULIE at the Donmar Warehouse
- Kristin Scott Thomas for THREE SISTERS at the Playhouse

BEST ACTOR

- Roger Allam for DEMOCRACY at the NT Cottesloe
- Kenneth Branagh for EDMOND at the NT Olivier
- Greg Hicks for CORIOLANUS, RSC at the Old Vic
- Matthew Kelly for OF MICE AND MEN, Birmingham Rep at the Savoy
- Michael Sheen for CALIGULA at the Donmar Warehouse

BEST PERFORMANCE IN A SUPPORTING ROLE

- Joe Dixon for THE ROMAN ACTOR, RSC at the Gielgud
- Oliver Ford Davies for ABSOLUTELY! (PERHAPS) at Wyndham’s
- Paul Hilton for MOURNING BECOMES ELECTRA at the NT Lyttelton
- Warren Mitchell for THE PRICE, Tricycle at the Apollo

BEST NEW PLAY

- DEMOCRACY by Michael Frayn at the NT Cottesloe
- ELMINA’S KITCHEN by Kwame Kwei-Armah at the NT Cottesloe
- HITCHCOCK BLONDE by Terry Johnson at the Jerwood Theatre Downstairs at the Royal Court & the Lyric
- THE PILLOWMAN by Martin McDonagh at the NT Cottesloe

BEST REVIVAL

- ABSOLUTELY! (PERHAPS) by Luigi Pirandello in a new version by Martin Sherman at Wyndham’s
- CALIGULA by Albert Camus in a new translation by David Greig at the Donmar Warehouse
- MOURNING BECOMES ELECTRA by Eugene O’Neill at the NT Lyttelton
- OF MICE AND MEN - by John Steinbeck, Birmingham Rep at the Savoy

BEST NEW MUSICAL

- JERRY SPRINGER – THE OPERA music by Richard Thomas, book a&nd lyrics by Stewart Lee & Richard Thomas at the NT Lyttelton & Cambridge
- RAGTIME book by Terrence McNally, music by Stephen Flaherty, lyrics by Lynn Ahrens, based on the novel by E L Doctorow at the Piccadilly
- THOROUGHLY MODERN MILLIE book by Richard Morris & Dick Scanlan, new music by Jeanine Tesori, new lyrics by Dick Scanlan, at the Shaftesbury

OUTSTANDING MUSICAL PRODUCTION

- HIGH SOCIETY music & lyrics by Cole Porter, book by Arthur Kopit at the Open Air
- Tim Rice & Andrew Lloyd Webber’s JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT at the New London
- PACIFIC OVERTURES music & lyrics by Stephen Sondheim, book by John Weidman, additional material by Hugh Wheeler at the Donmar Warehouse
- TELL ME ON A SUNDAY music by Andrew Lloyd Webber, lyrics by Don Black at the Gielgud

BEST ENTERTAINMENT

- Duckie’s C’EST BARBICAN! devised & written by Mark Whitelaw, Ursula Martinez, Christopher Green, Marisa Carnesky, Francesca Baglione & Simon Vincenzi, scored by Ian Hill at The Pit
- Fascinating Aida’s ONE LAST FLUTTER at the Comedy
- JUS’ LIKE THAT written & created by John Fisher at the Garrick
- MY BRILLIANT DIVORCE by Geraldine Aron at the Apollo
- THE RAT PACK – LIVE FROM LAS VEGAS by Paul Walden, Mitch Sebastian & Derek Nicol at the Strand

BEST ACTRESS IN A MUSICAL

- Maria Friedman for RAGTIME at the Piccadilly
- Amanda Holden for THOROUGHLY MODERN MILLIE at the Shaftesbury
- Alison Jiear for JERRY SPRINGER – THE OPERA at the NT Lyttelton & Cambridge
- Maureen Lipman for THOROUGHLY MODERN MILLIE at the Shaftesbury

BEST ACTOR IN A MUSICAL

- David Bedella for JERRY SPRINGER – THE OPERA at the NT Lyttelton & Cambridge
- Graham Bickley for RAGTIME at the Piccadilly
- Michael Brandon for JERRY SPRINGER – THE OPERA at the NT Lyttelton & Cambridge
- Kevyn Morrow for RAGTIME at the Piccadilly

BEST SUPPORTING PERFORMANCE IN A MUSICAL

- Tracie Bennett for HIGH SOCIETY at the Open Air
- The Chorus of JERRY SPRINGER – THE OPERA at the NT Lyttelton & Cambridge
- Richard Henders for PACIFIC OVERTURES at the Donmar Warehouse
- Jerome Pradon for PACIFIC OVERTURES at the Donmar Warehouse
- Matthew White for RAGTIME at the Piccadilly

BEST DIRECTOR

- Stafford Arima for RAGTIME at the Piccadilly
- Michael Grandage for CALIGULA at the Donmar Warehouse
- Gary Griffin for PACIFIC OVERTURES at the Donmar Warehouse
- Stewart Lee for JERRY SPRINGER – THE OPERA at the NT Lyttelton & Cambridge

BEST THEATRE CHOREOGRAPHER

- Jenny Arnold for JERRY SPRINGER – THE OPERA at the NT Lyttelton & Cambridge
- Rob Ashford for THOROUGHLY MODERN MILLIE at the Shaftesbury
- Karen Bruce for PACIFIC OVERTURES at the Donmar Warehouse

BEST SET DESIGN

- ABSOLUTELY! (PERHAPS) designed by Franco Zeffirelli at Wyndham’s
- HITCHCOCK BLONDE designed by William Dudley at the Jerwood Theatre Downstairs at the Royal Court & the Lyric
- MOURNING BECOMES ELECTRA designed by Bob Crowley at the NT Lyttelton

BEST COSTUME DESIGN

- ABSOLUTELY! (PERHAPS) designed by Raimonda Gaetani at Wyndham’s
- PACIFIC OVERTURES designed by Mara Blumenfeld at the Donmar Warehouse
- POWER designed by Christopher Oram at the NT Cottesloe
- THOROUGHLY MODERN MILLIE designed by Martin Pakledinaz at the Shaftesbury

BEST LIGHTING DESIGN

- HITCHCOCK BLONDE designed by Simon Corder at the Jerwood Theatre Downstairs at the Royal Court & the Lyric
- PACIFIC OVERTURES designed by Hugh Vanstone at the Donmar Warehouse
- RAGTIME designed by Howard Harrison at the Piccadilly

BEST SOUND DESIGN

- JERRY SPRINGER – THE OPERA designed by Mike Walker at the Lyttelton and Cambridge
- PACIFIC OVERTURES designed by Nick Lidster at the Donmar Warehouse
- RAGTIME designed by Peter Hylenski for Autograph at the Piccadilly
- THE PILLOWMAN designed by Paul Arditti at the NT Cottesloe

MOST PROMISING NEWCOMER IN AN AFFILIATE THEATRE

- Debbie Tucker Green for BORN BAD at Hampstead Theatre
- Lucy Prebble for THE SUGAR SYNDROME at the Jerwood Theatre Upstairs at the Jerwood Theatre Upstairs at the Royal Court
- Tom Hardy for his performance in IN ARABIA, WE’D ALL BE KINGS at Hampstead Theatre
- Ruth Negga for her performance in DUCK at the Jerwood Theatre Upstairs at the Royal Court

OUTSTANDING ACHIEVEMENT IN AN AFFILIATE THEATRE

- The Young Vic for an audacious season under the artistic direction of David Lan
- Tanika Gupta for FRAGILE LAND at Hampstead Theatre & her adaptation of HOBSON’S CHOICE at the Young Vic
- The Almeida Theatre for its production of THE LADY FROM THE SEA
- The Lyric Hammersmith for its production of PERICLES

BEST NEW OPERA PRODUCTION

- English National Opera’s COSÌ FAN TUTTE at the Barbican
- The Royal Opera’s MADAMA BUTTERFLY at the Royal Opera House
- The Royal Opera’s ORLANDO at the Royal Opera House
- English National Opera’s THE TROJANS (Part I & II) at the London Coliseum

OUTSTANDING ACHIEVEMENT IN OPERA

- Cristina Gallardo-Domas for The Royal Opera’s MADAMA BUTTERFLY at the Royal Opera House
- Simon Keenlyside for The Royal Opera’s HAMLET & DIE ZAUBERFLOTE at the Royal Opera House
- Bejun Mehta for The Royal Opera’s ORLANDO at the Royal Opera House
- Felicity Palmer for The Royal Opera’s ELEKTRA & SWEENEY TODD at the Royal Opera House

BEST NEW DANCE PRODUCTION

- Nederlands Dans Theater 2’s DREAM PLAY at Sadler’s Wells
- George Piper Dances’ MESMERICS at Sadler’s Wells
- Paul Taylor Dance Company’s PROMETHEAN FIRE at Sadler’s Wells
- BROKEN FALL, a George Piper Dances commission in association with The Royal Ballet at the Royal Opera House

OUTSTANDING ACHIEVEMENT IN DANCE

- Carlos Acosta for his TOCORORO – A CUBAN TALE at Sadler’s Wells
- Thomas Edur & Agnes Oaks their performances in English National Ballet’s 2 HUMAN at Sadler’s Wells
- Javier De Frutos for his choreography of Rambert Dance Company’s ELSA CANASTA at Sadler’s Wells
- The dancers of Rambert Dance Company for their season at Sadler’s Wells

SPECIAL AWARD
Judi Dench wins special award for outstanding contribution to British Theatre, presented by Kevin Spacey.

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