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WOStakeover: Carrie Hope Fletcher
By Ben Hewis · 21 Jan 2014 · London

In the second of our twitter takeovers, the Les Mis lovely joined us at WOS HQ to answer your questions

WOStakeover: Geronimo Rauch
By Ben Hewis · 21 Jan 2014 · London

In the first of its kind for WhatsOnStage, the nominees for our Best Takeover in a Role award will be taking over our twitter this week and answering your questions. First up, the Phantom himself

10 signs that you are #StageyAndProud
By Ben Hewis · 20 Jan 2014 · London

Ever spent an entire film thinking how good it would be on stage? Did you then cast all your friends in the lead parts? If so, this list probably applies to you

Exclusive: Twitter Takeovers with our Best Takeover nominees
By Ben Hewis · 17 Jan 2014 · London

Exciting news from WOS HQ as we continue our 'Spotlight On' series. Next up is the WhatsOnStage Award for Best Takeover in a Role

Get reading: Six novels that have been adapted for the stage
By Ben Hewis · 14 Jan 2014 · London

If one of your new year's resolutions was to read more, then this list may be just what you're looking for

Spotlight On: Best New Musical
By Ben Hewis · 13 Jan 2014 · London

As the deadline for voting draws ever closer, this week's Spotlight On feature takes a look at the shortlist for the WhatsOnStage Award for Best New Musical.

Spotlight On: Best Actor in a Play award
By Ben Hewis · 9 Jan 2014 · London

Following on from the Best Actress in a Play 'Spotlight On', we take a look at their male counterpart nominees.

Best London Newcomer Award winners - Where are they now?
By Ben Hewis · 8 Jan 2014 · London

Ben Hewis takes a look at what some of the previous winners of the newcomer award are up to now.

My ultimate showtune playlist: The WOS team
By Ben Hewis · 8 Jan 2014 · London

In a new feature for WhatsOnStage, 'My ultimate showtune playlist' asks the question - if you could only ever listen to five showtunes again, what would they be?

Five ways to still see theatre when you're skint
By Ben Hewis · 7 Jan 2014 · Southwest

It's January, no one has any money. But that doesn't mean you have to wait until the next payday to go to the theatre

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