My first Edinburgh: how does one transport twenty-five dildos to the festival?
By Sara Juli
Performer Sara Juli explains her lead-up to performing at the Fringe for the very first time
Why I won't be going to Edinburgh this year
Sarah Crompton regrets her absence at this year's Edinburgh Festivals and picks her month's favourites shows
Have we had too many Hamlets?
As it's announced that Tom Hiddleston will step up to take on the role of the Dane, Sarah Crompton asks whether enough is enough
Sonia Jalaly: Why young people need more information about careers in the arts
By Sonia Jalaly
Sonia Jalaly works as a PA to Indhu Rubasingham, the artistic director of the Tricycle Theatre, but it wasn't until after university that she discovered stable jobs in the creative industries even existed
An introduction to Korean theatre at this year's Fringe
By Ginny Kim
Korean theatre practitioner Ginny Kim explains how Korean exports have evolved from being very traditional into more daring modern work
Michelle Terry is a strong choice for the Globe – but she's not a safe bet
Matt Trueman speculates on what Michelle Terry might bring to her new role as AD of Shakespeare's Globe
Theatre needs to go to the people - and other lessons from Latitude Festival
Matt Trueman reflects on a weekend at this cross-arts festival in Suffolk
It's good to keep it complex – and other lessons from the Manchester International Festival
As the Manchester International Festival closes, our critic reflects on John McGrath's first year as artistic director
Why tap is the future of dance
Sarah Crompton reflects on a recent trip to Dorrance Dance company's ETM: Double Down at Sadler's Wells
Theatre aimed exclusively at kids makes you realise yours probably want to kill you
Made In China's new show Double Double Act proves how different our sensibilities are from our own children