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Axes, woodland and people back from the dead, Daniel Oliver's piece is a self-satirising critique of art's obscurity
It's surprising how effective a comparatively simple pantomime can be, given a good script, committed performances and a simple setting.
A potentially tricky story to adapt for pantomime, Wakefield's Beauty and the Beast is full of "zest, flair and no little imagination"
Tradition takes a slightly off-beat turn with Aladdin at the Bury St Edmunds Theatre Royal this winter