”Unexpected Twist” review – musical mash-up of Dickens and beatbox is the perfect combo

When author Charles Dickens wrote Oliver Twist in the 19th century, could he have guessed these central themes of poverty and child exploitation would still be as relevant in 2023?

Picking the pockets of these important themes and dragging them sharply into the 21st century is Michael Rosen’s Unexpected Twist, now cleverly adapted for stage by Roy Williams in a production opening at Northampton’s Royal and Derngate this week.

This modern tale focuses on Shona, who lives in considerable poverty with her struggling father, arriving as a new girl at school as part of a class of disorderly students attempting to study Oliver Twist.

As they learn more about Dickens’ famous novel, the contemporary text of Shona’s own life plays out as she struggles to navigate her way through a world of gangs, stolen phones, violence and money laundering.

Unexpected Twist should not be seen as a version of Oliver Twist, but as a refreshing new creation in its own right, drawing parallels with Dickens’ novel. The original Victorian characters aren’t completely forgotten, however, showing up in the background of scenes at intervals to lend an eerie weight to the action.

The production packs a hefty dramatic punch, and this is largely delivered through the incredible use of music throughout. The show’s powerful score has been created and brought together by song writers Yaya Bey and Conrad Murray – also musical director.
The amazing, talented cast deliver the score without any support from instruments other than their own voices. The result is a soundtrack of styles including beatboxing (one particular star being Alex Hardie as Gazz) and R&B, creating a complex and layered soundscape. This works to elevate the entire show to something which feels unique and special, helping underline every moment of emotional or dramatic intensity.

The absolute shining star is Drew Hylton who delivers some astounding vocal performances – she really will be one to watch for the future. On instruction from my eight-year-old daughter who accompanied me, I also have to mention the pretty impressive aerial cartwheel she executes in the final scenes – Drew is a brave performer!