Foot/Mouth

The first play, Foot, set in Cornwall,
begins on a beach where Sarah (Jo Rayner) is in the middle of messaging Tim
(James Camp) when she finds a dismembered foot half-buried in the sand. More
feet are found as the days pass and the chatrooms hum with speculation. Some
suitably laid-back and inefficient guards are brought in to investigate, led by
a delightfully pompous Chief Inspector played by Rosie Sansom. Alice Coles also
gives a very funny performance as the guard artist brought in to help with the
investigation. The audience learns that Sarah’s father, sister and brother have
disappeared and that she suspects the English of foul play.

Feet continue to be washed up and the blogosphere’s rumour
mill keeps on turning. Little else happens however and the story feels rather
thinly spread. The play fails to bring together all its disparate elements –
comedy, mystery, teen romance – and struggles to find its tone. Opportunities
are also missed to make use of the clearly talented ensemble with the many
static chatroom scenes. Moreover these slow the piece down to the pace of the
bloggers’ typing, rather than moving the story forward as they should.

Mouth, by contrast, is brimming with
action and much clearer in its intentions. Ethan and Mia, Sarah’s missing
siblings, have set off to find their father but are shipwrecked off the English
coast and captured. In England the regime keeps control by dictating what comes
out of people’s mouths. No one is allowed to speak the old language and instead
speaks “gag”. This limited but highly vivid language – a dictionary has become
a “diction canary”- provides a great source of comedy.

Mia, played with a convincing mix of humour and emotion by
Sarah Middleton, is rescued by a group of dissidents who go on to lead an
attack on the dastardly Zemor (Kate Kennedy), the leader of the regime. With
excellent direction from Andy Burden, the ensemble’s skills come into their own
in some lively portrayals of the opening shipwreck, life in the totalitarian
state and the final combat scenes. The siblings are reunited and the old regime
falls. The young people may not have answers to Zemor’s questions about how
they will stop people fighting and keep everyone happy but the final song, Neil
Young’s “Keep on Rockin’ in the Free World”, leaves the audience with the
feeling that somehow it will all come good.

A lot of people have worked very hard to bring
Foot/Mouth to the stage. The writing may be a little patchy
but the costumes by Nicola Fletcher, the design by Chloe Lamford and the
lighting by David W. Kidd each deserve a mention. Above all however the enthusiasm
and efforts of the young cast make the show worth a visit.

–

Louise Gooding