Eat Your Heart Out

Founder Scottee’s audience control is that of the music hall greats, earning his crowd’s attention without microphone or effects and relying purely on his quick wit and spontaneity. In drag queen Myra DuBois the piece has a charming mediator between audience and cast, seamlessly drifting into pounding monologues of her roots and challenging the outmoded nature of end-of-the-pier drag. DuBois is drag at its most progressive and most comfortable.

Miss Annabel Sings, a wry chanteuse, drags her audience onto the stage for group therapy, strumming her guitar like an over-medicated primary teacher. Passionate yet sensitive, her songs depict the melancholy loneliness of city life, frighteningly illustrated by unsettling video installations.