Giles Terera on the National's Death of England: Face to Face: 'There's unfinished business'
A reinvented Merchant: 'Shakespeare's been dead for 400 years – we can do what the hell we like'
Paul Taylor-Mills appointed artistic director of The Other Palace
Stephen Webb on The Rocky Horror Show's cinema release: 'I feel like a rockstar'
Suzan-Lori Parks on White Noise: It's a play that rips the mask off what we call civilization
Alexandra Silber on returning to Indecent: 'I'm putting a costume on a body that has been totally remade'
Aidan McArdle on Leopoldstadt in the West End: 'Stoppardian text is actually sort of Shakespearean'
Hamilton's Sharon Rose: 'My relationship with Eliza has definitely shifted and grown'
Ray Fearon on presenting Frederick Douglass to Piccadilly Circus: 'People tell me I look like Frederick'
Gloria Obianyo discusses bringing Paradise to the National
Julia Chan on making her West End debut in 2:22 – A Ghost Story
Aisha Jawando and Jammy Kasongo discuss leading Tina – The Tina Turner Musical's return
TuckShop producer Christopher Clegg: 'I really want to do a Drag staging of Lord of the Flies'
Harry Peacock and Dan Skinner discuss adapting their hit podcast for the Menier's new stage
Streaming with laughter: how Mischief and Kenny Wax created Mischief Movie Night In
Alex Thomas-Smith: 'I was told I was too black, too short, too feminine, too queer – now I'm going to be celebrated for all of this'
Gabrielle Brooks on joining Get Up, Stand Up!: 'We're ready to release the magic'
Kenneth Branagh and Lolita Chakrabarti discuss returning to the stage in The Browning Version
Milli Bhatia discusses bringing seven methods of killing kylie jenner back to the Royal Court
Anthony Ramos on In the Heights: 'Musicals can save lives'
Hilary Mantel and Ben Miles on bringing The Mirror and the Light to the West End
Sean Foley on the Birmingham Rep's autumn season: "It has been a daily fight for survival"
Rosemary Squire and Howard Panter: The global reach of their new theatre ambitions
Josh O'Connor and Jessie Buckley discuss the National Theatre's Romeo and Juliet film