Edinburgh Festival 2018: all our reviews in one place
The Edinburgh Festival Fringe and International Festival are underway, here's all our reviews from the Scottish capital
★ ★ ★ ★ ★
Mistero Buffo, Underbelly, Cowgate, 19.20
Matt Trueman: "This is, in short, a tour de force. Spooner, spinning between characters and sweating like a trooper, summons the spirit of Lee Evans as the lowly jongleur. It's a shapeshifting, body-popping, mesmerising performance." Read more
Ulster American, Traverse Theatre, times vary
Sarah Crompton: "What a brave, savage writer David Ireland is! There are moments in this play that are so shockingly provocative, so laugh-out-loud funny while simultaneously curl-into-a-ball-and cringe-worrying that I found my mouth was actually open." Read more.
Underground Railroad Game, Traverse Theatre, times vary
Sarah Crompton: "You can only admire the fearlessness of Kidwell and Sheppard, for their courage not only in creating so bold and unsettling a piece of theatre, but for their searing commitment to performing it." Read more.
★ ★ ★ ★
[Insertsloganhere], Zoo Charteris, 18.10
Matt Trueman: "Over a playful, gently probing hour, [insert slogan here] exposes advertising's tropes and techniques – partly to derail them, partly to put them to better use." Read more
Island Town, Summerhall, times vary
Sarah Crompton: "Katherine Pearce, Jack Wilkinson and Charlotte O'Leary mine every aspect of their complex characters. The result is a depressing but engrossing triumph of empathy." Read more.
The Political History of Smack and Crack, Summerhall, 17.30
Daisy Bowie-Sell: "While Ed Edwards' play for Paines Plough isn't exactly a thorough and extensive history of the origins of the titular opiates, it does manage deftly and persuasively to put the story of their rise in popularity in this country into perspective. " Read more
The Greatest Play in the History of the World, Traverse, times vary
Sarah Crompton: "Julie Hesmondhalgh is such a truthful actor... This monologue about life and love and time is a remarkable gift to her distinctive talent from her writer husband Ian Kershaw. It's just magical." Read more.
Vertical Influences, Assembly at Murrayfield Ice Rink, times vary
Sarah Crompton: "Wrap up warm and then sit back and just be thrilled by the majesty, the command and the sheer confidence of the whole thing." Read more.
★ ★ ★
Coriolanus Vanishes, Traverse Theatre, times vary
Daisy Bowie-Sell "Coriolanus Vanishes is a case of style over substance. A compelling performance and some impressive designs don't manage to hide its flaws." Read more
Killymuck, Underbelly Bristo Square, 18:25
Matt Trueman: "Despite sporadic commentary sections that fold key sociological stats into the story Killymuck doesn't always stick to its own (enormous) question of social immobility." Read more.
Meek, Traverse Theatre, times vary
Sarah Crompton: "It's unfortunate for Penelope Skinner that The Handmaid's Tale has become such a worldwide TV phenomenon before the premiere of her play Meek, commissioned four years ago, with which it shares a theme and an aesthetic." Read more.
On the Exhale, Traverse Theatre, times vary
Sarah Crompton: "Zimmerman's language detracts from the direct impact... and that straining for effect when his subject really does not need it, turns the play into a heartfelt melodrama." Read more.
Songlines, Pleasance Courtyard, 15.15
Daisy Bowie-Sell "Songlines will likely still melt most people's hearts. It's a quiet, classic Fringe gem – the sort of show you could easily recommend to pretty much anyone." Read more
Status, Summerhall, 19.55
Daisy Bowie-Sell: "It's layered and funny, with rocky guitar songs played by Thorpe interspersing his text. But where Confirmation really builds up a dramatic intensity, Status never reaches a similar climax." Read more
Thor and Loki, Assembly Roxy, 19.15
Sarah Crompton: "I hope Blake will go on to write better and more subtle shows that actually have something to say. But for now, this passes the time very entertainingly." Read more.
Toujours et Pres de Moi, Assembly Roxy, 15.00
Matt Trueman: "Erratica's wordless opera brings the technique into the present. Instead of real objects, tucked out of sight, it bounces projected images into empty space – two tricks of the light in one. " Read more
We've Got Each Other, Pleasance Dome, 22.50
Alex Wood: "It's one man, Paul O'Donnell, trying to make that show happen – alone. Imagine a low-budget cross between Bat Out of Hell and Strictly Ballroom performed solo, in a small upstairs venue, coming to you live from the West End (of east Edinburgh) with an Ikea lamp as a spotlight."Read more
What Girls Are Made Of, Traverse Theatre, times vary
Sarah Crompton: "It's all very enjoyable and quite moving... but for all its skill and charm... it feels a bit thin, unable to escape the specifics in order to point a more universal truth." Read more.
There's no one-star reviews, yet.