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Hidden away in the Record Department of the sprawling Ministry of Truth, Winston Smith skillfully rewrites the past to suit the needs of the Party. Yet he inwardly rebels against the harsh totalitarian world he lives in which demands absolute obedience and controls him through the all-seeing telescreens and the watchful eye of Big Brother, symbolic head of the Party.
This new major production explores the world inside Winston Smith's head, as well as the world without, and catches the euphoria and bliss buried deep underneath the cold face of Big Brother. Headlong's version explores why Orwell's gaze is as applicable to the here and now as it ever was. Age 14+. Running time: 1hr 40mins (no interval)
From the remnants of monarchy to Communism, democracy, war and the EU: Croatia 1945-2011. The Kos family argue, adapt, fall in and out of love. I will never understand why dinner conversation with you lot always turns so damn contentious. Why can't we have some pleasant anecdotes for example. World after world is erected and torn down around them. The one constant is the ivy-clad house in Zagreb, built by aristocrats, partitioned, owned by all, owned by a few; witness to four increasingly educated and independent generations of women. But when the family assemble for Lucia's wedding, Alisa learns that her nouveau-riche brother-in-law has bought the once nationalized house. For the bride this is progress, for her sister it's a shady act of greed. For their principled parents, finally, it's one battle too many. Against a country in turmoil, Tena Stivicic's 3 Winters creates the portrait of an eclectic family, held together by the courage to survive.
Based on an original idea by Nobby Dimon and Simon Corbie from the book by John Buchan. This brand new version will be performed by four actors playing a minimum of 150 roles and contains every single legendary scene from the award-winning movie including the chase on the Flying Scotsman, the escape on the Forth Bridge, the first theatrical bi-plane crash ever staged and the sensational death-defying finale in the London Palladium, besides many other favourite cinematic moments. Also including the memorable and controversial 'stockings and suspenders' scene!
A two-hander comedy which tells the story of Maude Gutman who buys a painting for $3 that she comedy to believe is an original Jackson Pollock worth millions. When stuffy New York art expert Lionel Percy arrives to evaluate the work, a fiery battle erupts over class, truth, value, and the meaning of art.
The lives of two men unravel quickly over the course of 90 minutes. Where are they? Who are they? What is this room, and what might be beyond the walls? Gut-wrenchingly funny, achingly sad and featuring jaw-dropping moments of physical comedy, Ballyturk is an ambitious and tender new work by Enda Walsh (Misterman, The Walworth Farce).
India is surging with global ambition. But beyond the luxury hotels surrounding Mumbai airport lies a makeshift slum, full of people with plans of their own. Zehrunisa and her son Abdul aim to recycle enough rubbish to fund a proper house. Sunil, twelve and stunted, wants to eat until he's as tall as Kalu the thief. Asha seeks to steal government anti-poverty funds to turn herself into a 'first-class person', while her daughter Manju intends to become the slum's first female graduate. But their schemes are fragile; global recession threatens the garbage trade, and another slum-dweller is about to make an accusation that will destroy herself and shatter the neighbourhood. Katherine Boo spent three years in Annawadi recording the lives of its residents. From her uncompromising book, winner of the National Book Award for Non-Fiction 2012, David Hare has fashioned a tumultuous play on an epic scale.
BE (Birmingham European) FESTIVAL champions the work of original and daring theatre makers from across Europe. In Best of BE FESTIVAL, three highlights from this year's festival are showcased together. The prizewinning shows form part of a convivial evening in which there is time to exchange ideas with fellow audience and company members during informal post-show gatherings and a shared meal in the Theatre's Green Room. Diverse and dynamic, with an emphasis on physicality, Best of BE FESTIVAL represents new European theatre seeking to break down barriers in more ways than one. The three shows will be announced in July 2014.
Anne Boleyn is now Queen, her path to Henry's side cleared by Thomas Cromwell. But Henry remains without a male heir, and the conflict with the Catholic Church has left England dangerously isolated as France and the Holy Roman Empire ominously manoeuvre for position.
Wolf Hall and Bring up the Bodies paint the compelling portrait of the political rise to power of Thomas Cromwell in the Tudor Court.
Chile's leading itinerant theatre company, Tryo Teatro Banda recount the life and adventures of the Spanish renaissance soldier-poet Alonso de Ercilla, who travelled from Philip II's court in Madrid to the New World. Forged in the heat of battle, his first-hand account of the Conquest of Chile and the heroism of the destroyed indigenous tribes is one of the most celebrated literary works of the Spanish Golden Age. Renowned for their comic verve and Commedia Dell'Arte story-telling, Tryo's four actor-musicians play more than fifteen instruments in this playfully subversive interpretation of De Ercilla's epic poem La Araucaniad.
La Araucana is performed in Spanish with English surtitles. Running time: 1hr 10mins/no interval. Age guidance: 12+
Salem, Massachusetts 1692. When the stories of three local girls are taken as gospel, a small village populated by Puritans and petty local rivalries, is thrown into panic by talk of witchcraft. The community begins to purge itself, and as accusations fly suspicion alone is accepted as evidence. Written during the vigorous and unscrupulous investigations of Senator J R McCarthy in 1950's America. The Crucible is a timeless portrayal of communal hysteria and the evil of mindless persecution.
Christopher, fifteen years old, stands beside Mrs Shears' dead dog. It has been speared with a garden fork, it is seven minutes after midnight and Christopher is under suspicion. He records each fact in the book he is writing to solve the mystery of who murdered Wellington. I made a decision. I did this by thinking of all the things I could do and deciding whether they were the right decision or not. He has an extraordinary brain, exceptional at maths while ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched and he distrusts strangers. But his detective work, forbidden by his father, takes him on a frightening journey that upturns his world. My name is Christopher John Francis Boone. I know all the countries of the world and the capital cities. And every prime number up to 7507.
Running time: 2hrs 40mins. Suitable for ages 11+
Haunting, funny, poignant & full of mystery, Daytona is a play with not one but two love stories at its heart. Happy in their shared passion for ballroom dancing, Joe & Elli plan to win the next big competition. But the unexpected arrival of a figure from their past threatens to throw everything off balance. What can this man possibly want of them on this cold winter's night? What can possibly be gained from this uneasy reunion? When they discover the story behind his sudden return, Joe & Elli must confront a profound moral dilemma.
Running time: 2hrs 20mins including interval
The story focuses on an Anglo - Pakistani family in 1970's Salford. It's a time of long hair, glam rock and flares. Chip shop owner, George Khan, wants his children to keep their culture and tradition but his kids want to be part of the modern world. The boys want disco music, the latest fashions and girls; Sajit wants to live in his parka and Meena doesn't want to wear saris. Their Dad is insisting on arranged marriages, dutiful children and respect, while their English Mum wants to give the kids space and to keep the peace - which is where the trouble starts. East is East is the hilarious result of two cultures colliding. This touching comedy was a hugely successful stage play and later made into the enormous international smash hit film. Winner of 1997 Writers' Guild Best West End Play award.
Jamie Lloyd Season
An empire crumbling. Betrayal. Murder. Vengeance. Electra is a darkly psychological study of a woman s obsession with her murdered father and her quest for retribution. When her brother unexpectedly returns from exile, the stage is set for Electra s endgame. But vengeance has its price. For how can there be closure if, to avenge your father s death, you must first kill your mother?
The story of one little girl and her larger-than-life friend is brought to life with puppetry and theatrical ingenuity. At first, the little girl is thrilled to have a ghost-elephant living in her house. He makes life so much more fun! But Elephantoms are a bit too big for houses and before long, he's causing a lot of trouble.
Three men gather, each with an uncanny tale to tell: their chilling stories will bleed off the stage and into your dreams.
Producers of the show says "Warning: Please Be Advised That Ghost Stories Contain Moments Of Severe Shock And Tension. The Show Is Unsuitable For Anyone Under The Age Of 15. We Strongly Advise That Those Of A Nervous Disposition To Think Very Seriously Before Attending."
An anarchic satire about the press, the police and the political establishment. Billie Piper plays Paige Britain, ambitious young news editor of The Free Press, a tabloid newspaper locked in a never ending battle for more readers.
‘A timely look at the tangled relationship between the press, politicians and the police. Barbed and very funny’ - Evening standard
Great Britain transfers to the Theatre Royal Haymarket from 10 September, following a sold out run at the National Theatre.
Richard Bean’s fast, furious and foul-mouthed new play is an anarchic satire about the press, the police and the political establishment. Welcome to The Free Press, a tabloid newspaper locked in a never-ending battle for more readers.
‘The most detailed stage satire I have ever seen – closely in tune with its subject matter and its times.’ - Financial Times
‘Laughter-making on an industrial scale.’ - Independent
Running time: 2hrs 45mins.
The monarch - Liz. Her most powerful subject - Maggie. Handbags, hairspray and sensible shoes. One believed there was no such thing as society. The other had vowed to serve it. Handbagged opens the clasp on the antipathy between two giants of the twentieth century. Based on the critically-acclaimed short play from Women, Power & Politics (Tricycle, 2010)
Running time: 2hrs 15mins
What makes a king? What makes a father? Shakespeare's monumental history play travels to the heart of family, duty and country.
In 2012, Phyllida Lloyd's all-female production of JULIUS CAESAR at the Donmar placed the play in a women's prison. It stunned audiences on both sides of the Atlantic and challenged the idea of 'who owns Shakespeare?' In the schools workshops around the production, teachers heard one girl speak in public for the first time. It couldn't end there. HENRY IV marks the return of Phyllida Lloyd, the reunion of the director with Harriet Walter and the second instalment in what will be a trilogy of works at the Donmar from these major artists.
And what does sorry mean? Nothing really. It's just a word. It's what people say when it's too late. It's a sorry little stick of a word. Slick with your spit at my feet. Secluded, isolated, the perfect desert island escape. Just what Robert and the family need. But beyond the white sand and beautiful sunsets, dark clouds gather. A storm is coming. A tropical thriller, where nothing is quite what it seems, Hotel explores the cost of integrity.
Howie Lee gets dragged into a bizarre feud of honour involving a scabies-infested mattress against The Rookie, which escalates into a spiral of personal tragedy. The Rookie, has problems of his own: massively in debt to a terrifying gangland figure for killing his prized Siamese fighting fish, he steels himself for a hideous revenge, until he is championed from a most unlikely quarter. Howie the Rookie is a nightmare vision of contemporary Dublin, where enemies and friends are interchangeable, and can even become an incarnation of the Mayan gods of death.
Running time: 1hr 20mins. Age 16+. Very strong language and sexual references.
Classic turn-of-the-century comedy of social manners. A very complicated plot that includes the famous "A Handbag!" line .. Jack Worthing is in love with Gwendolen Fairfax, daughter of the redoubtable Lady Bracknell, and cousin of his friend Algernon. They cannot wed until the mystery of his parentage (he was found in a handbag on Victoria Station) is resolved. Algy discovers that Jack has a pretty young ward, Cecily, living at the Manor and visits her pretending to be Jack's fictitious (and wicked) brother Ernest.
Bold and irreverent storytelling explores the complex character of this colourful Stewart king - a poet, a lover, a law-maker but also the product of a harsh political system. James I of Scotland was captured when he was only 13 and became King of Scots in an English prison. 18 years later he's finally delivered back home with a ransom on his head and a new English bride. He's returning to a poor nation, the royal coffers are empty and his nobles are a pack of wolves ready to tear him apart at the first sign of weakness. But James has his own ideas about how to be a king and, after 18 years, he finally has the chance to realise them. James is determined to bring the rule of law to a land riven by warring families, but that struggle will force him to make terrible choices if he is to save himself, his Queen and the crown.
Dates and times to be confirmed
In the second of Rona Munro's dynastical trilogy, innocent games merge with murderous intent in a violent royal playground of shifting realities and paranoia. An eight year old boy is crowned King of Scots. Soon James II is the prize in a vicious game between the country's most powerful families, for whoever has the person of the boy king, controls the state. Seen through a child's eyes, the Scottish court is a world of monsters with sharp teeth and long knives. Growing up alone, abandoned by his mother and separated from his sisters, James II is little better than a puppet. There is only one relationship he can trust, his growing friendship with another lonely boy, William, the future Earl of Douglas. The two boys cling together as they try to survive the murder and mayhem that surrounds them. But the independence and power of young adulthood brings James into an even more threatening world. He has to fight the feuding nobles who still want to control him, he has to make brutal choices about the people he loves best, he has to struggle to keep his tenuous grip on the security of the crown and on his sanity....while the nightmares and demons of his childhood rise up again with new and murderous intent.
Dates and times to be confirmed
Like James III himself, the final instalment of Rona Munro's extraordinary trilogy is colourful, brash and unpredictable. It turns its eye on the women of the royal court, both lowly and high born, who prove to be its beating heart. Queen Margaret, married to James III is played by Sofie Grabol, most known to audiences as Sarah Lund in the Danish TV series, The Killing. James III of Scotland. A man who's irresistible, charismatic, a man of fashion and culture. A man with big dreams ...and no budget to realise any of them. Obsessed with grandiose schemes that his nation can ill-afford and his restless nobles will no longer tolerate, James is loved and loathed in dangerously unstable proportions. But Scotland's future will be decided by the woman who loves him best of all, his resourceful and resilient wife, Queen Margaret of Denmark. As dreams battle brutal realities and the nation thunders dangerously close to regicide and civil war, her true love and clear vision offer the only protection that can save a fragile monarchy and rescue a struggling people. But the cost for Margaret herself may be too high.
Dates and times to be confirmed
When a country house weekend takes a turn for the worse, Bertie Wooster is unwittingly called on to play matchmaker, but also to steal a silver cow creamer from Totleigh Towers. Naturally, the ever dependable Jeeves is there to prevent Bertie from making a fool of himself in front of a cast of Wodehouse’s finest characters.
Enjoy an evening of raucous comedy in the company of Gussie Fink-Nottle, Madeline Bassett, Sir Watkin Bassett, Dahlia Travers, Roderick Spode and Constable Oates!
The Queen is dead: after a lifetime of waiting, the prince ascends the throne. A future of power. But how to rule?
Directed by the Almeida Theatre’s artistic director Rupert Goold, this ‘bracingly provocative and outrageously entertaining new play’ (The Independent) explores the people underneath the crowns, the unwritten rules of our democracy, and the conscience of Britain's most famous family.
King Charles III is the fourth production to transfer from the Almeida Theatre to the West End with co-producer Sonia Friedman Productions, following Chimerica, Ghosts and 1984. Book now for the must-see play of the year.
Strictly Limited Season | 2 September – 29 November 2014
King Lear divides his Kingdom between his daughters according to a declaration of their love for him. His eldest Goneril and Regan exaggerate their affection and inherit. His youngest daughter Cordelia speaks only the truth and is banished. So begins the tragedy of King Lear, whose dignity, sanity and finally life are torn from him by a self-seeking younger generation, ambitious for his power. What is love, what is madness, what is truth - Shakespeare explores these questions together with many others in King Lear, widely considered to be his greatest tragedy.
Riddles, magical characters and hideous monsters ... Welcome watchers of illusion to the castle of confusion The immortal words of Treguard the Dungeon Master ring out for the first time in 20 years as he opens the doors to the world of adventure. But do you dare enter?
Following a critically acclaimed Edinburgh Fringe run and sold out dates at both London's Bloomsbury Theatre and Brighton Comedy Festival, Knightmare Live now offers you the chance to don the immortal helmet of justice. Guided by two top comedians, an audience member will attempt to defeat Lord Fear's mighty dungeon in the greater game of chance. Duration: 100mins (inclu. interval)
This darkly comic drama looks at the dramatic two weeks of a group of Welsh miners who are trapped underground in a collapsed coal mine. 3rd May 1979, South Wales. Thatcher is counting her votes, Sid Vicious is turning in his grave and six Welsh miners are trapped down a coalmine. Over the span of two weeks everything these men believe in and everything they know will have changed. Chris Urch's debut play is packed full of blistering dark comedy and a generation of lost voices.
Oskar is a lonely boy from a broken home. He's bullied at school and is longing for friendship. Eli is a troubled girl who's just moved in next door. She never goes to school and is compelled to fill an eternal emptiness. When a series of brutal killings plagues the neighbourhood, these two young misfits make a deep connection, sensing in each other a kindred spirit. But the shocking truth about Eli tests Oskar's loyalty - and love - beyond all imaginable limits.
Running time: 2hrs 15mins. Age recommendation: 13+
The Scottish Play - theatrical types consider saying its name to be unlucky! Thrust into power by his overwhelming desires and an over ambitious wife, Macbeth finds his only security is to murder and murder again. From "When shall we three meet again" to "is this a dagger I see before me" this is a powerful Shakespearean drama.
Medea is a wife and a mother. For the sake of her husband, Jason, she has left her home and borne two sons in exile. But when he abandons his family for a new life, Medea faces banishment and separation from her children. Cornered, she begs for one day's grace. It's time enough. She exacts an appalling revenge and destroys everything she holds dear.
Opened at the Ambassadors Theatre in London on 25 November 1952. The World's Longest Running Play! A group of people gathered together in a remote part of the countryside discover there is a murderer in their midst. The question is which one of them is the guilty party.
Run Time 2 hrs 15 mins. For its 60th year The Mousetrap at the St. Martin's Theatre is to introduce a small charity fee of 60p on each ticket, in addition to the regular ticket price, which will be applied entirely for the benefit of charities working with young people and the arts, including Mousetrap Theatre Projects.
At Guy's London flat, old friends and new gather to party through the night. This is the summer of 1985, and for Guy and his circle the world is about to change forever. Deliciously funny and bittersweet, Kevin Elyot's comedy captures the fragility of friendship, happiness and life itself. The play opened to rave reviews at the Royal Court Theatre in 1994 and then went on to win both the Evening Standard and Laurence Olivier Awards for Best Comedy, as well as awards from the Writers' Guild and Critics' Circle. Male nudity and frank discussions of homosexuality.
Set in a Scottish war hospital during WW1, this is the story of the meeting and developing friendship of the celebrated writer, Siegfried Sassoon and the then unknown Wilfred Owen who was suffering from shell shock. It was this profoundly creative and liberating friendship that finally unlocked Owen's poetic genius to express the horror and pity of war, a war which claimed his life exactly one week before the armistice.
Following a sold-out UK tour, The Play That Goes Wrong will open at The Duchess Theatre on 14 September 2014, with previews from 3 September.
The Play That Goes Wrong burst onto the stage with phenomenal success last year, having originally opened as a one-act show at the Old Red Lion in London, before transferring to the Trafalgar Studios (Studio 2). Winners of the WhatsOnStage award for Best New Comedy 2014, the acclaimed play is currently enjoying a 21 week tour which ends this July.
Co-written by Mischief Theatre company members Henry Lewis, Jonathan Sayer and Henry Shields, and directed by Mark Bell, The Play That Goes Wrong is a highly physical comedy packed with finely-tuned farce and Buster Keaton inspired slapstick delivered with split-second timing. The play introduces The ‘Cornley Polytechnic Drama Society’ who are attempting to put on a 1920s’ murder mystery, but as the title suggests, everything that can go wrong… does, as the accident prone thespians battle on against all the odds to get to their final curtain call.
In The Possible Impossible House the rooms are constantly shifting. Beds complain about the dark and chairs whisper mischievous stories. The creaky plumbing sings and clatters, and there's a talking door that won't open. Getting lost is easy here, but if you follow the lights, so is finding the way out
Unexpected, comical and subversive, the work of Forced Entertainment has blazed a trail in contemporary theatre over the past 30 years. This winter the group collaborates with visual artist Vlatka Horvat on its first show conceived for young people. Projected collages merge with live sound effects and performance to convey the world inside a most unusual house.
Private Peaceful tells the heart-wrenching story of Tommo, a young First World War soldier awaiting the firing squad at dawn. During the night he relives his short but vivid past: his terrifying first day at school; the accident in the forest that killed his father; late-night poaching with Molly, the love of his life; and the battles and injustices of war that have brought him to the Front Line. Age 8+
Or by its full first quarto title of The Tragedy of King Richard the Third, containing his trecherous plots against his brother Clarence: the pittiful murder of his innocent nephews: his tyrannical usurpation: with the whole course of his detested life and most deserved death. Of course, nowadays Richard is seen as much maligned but the image of the hunchback reciting "Now is the winter of our discontent" will remain with us for a long time. Essentially the plot sees Richard assuming the throne after Edward IV and disposing of all those with greater right. He is finally killed at the Battle of Bosworth Field after having pronounced that other great line "A horse! A horse! My kingdom for a horse!" (shouldn't that be "An horse!"?).
A new production of Shakespeare's Richard III as part of the second season of Trafalgar Transformed at the Trafalgar Studios.
The story of frustrated young (illegally young in modern terms) love and death and the vendetta between two families in a tight-knit Italian community. One of Shakespeare's most popular and enduring dramas it has also been re-done as film, ballet, musical (most notably "West Side Story") and ice spectacular!
Running time: 1hr. Suitable for ages 8-12 years.
This event takes place in a Temporary Space, National Theatre
A radical retelling of Oscar Wilde's The Picture of Dorian Gray. In an age of self-obsession and advancing technology, everyone is capable of becoming an artist of his or her own life.
Plagued by debt, tormented by writer's block and in desperate need of a new hit, promising new playwright Will Shakespeare finds his muse in the form of passionate young noblewoman, Viola De Lesseps. Their forbidden love soon draws everyone, including Queen Elizabeth herself, into the drama and inspires Will to write the greatest love story of all time, Romeo and Juliet.
Olivier Awards - Best Play 1995. On a bitterly cold London evening, schoolteacher Kyra Hollis receives an unexpected visit from her former lover, Tom Sergeant, a successful and charismatic restaurateur whose wife has recently died. As the evening progresses, the two attempt to rekindle their once passionate relationship only to find themselves locked in a dangerous battle of opposing ideologies and mutual desires.
David Hare's Olivier award-winning play Skylight returns to the West End in a brand new production directed by Stephen Daldry. Originally opening at the National Theatre in 1995, the play transferred to the Wyndham's Theatre before a Broadway transfer, and return to the West End in 1997.
Jack McCracken: a man of principle in a corrupt world. But not for long. Moments after taking over his father-in-law's business he's approached by a private detective armed with some compromising information. Jack's integrity fades away as he discovers his extended family to be thieves and adulterers, looting the business from their suburban homes. Rampant self-interest takes over and comic hysteria builds to a macabre climax. Well, that's one down, isn't it. Nine to go. Next! Thou shalt not kill. What about that then? Let's have a crack at that one next, shall we?. First performed at the National Theatre, this hilarious morality play won the Evening Standard Drama Award for Best Play in 1987.
Alan Ayckbourn's A Small Family Business, a riotous exposure of entrepreneurial greed, returns to the National where it premiered in 1987.
Stephanie Canworth has it all; a successful career, supportive husband and she's a media darling. All grown up really. But one Facebook poke from a blast-from-the-past and all the old memories start flooding back - candy floss, kisses, first loves and broken hearts. And with old memories comes the old temptations.
A satirical play about money and movies - desire and ambition. The three-hander focuses on a producer called Bobby and his decision, brought about by his seduction by a temporary secretary, to film a novel about a nuclear catastrophe and the end of the world rather than the star-laden, sure-fire hit brought to him by his friend Charlie. The original Broadway production starred Madonna while the British premiere was produced by the National in 1989.
The place is Maycomb, Alabama in the Great Depression years of the 1930s. Momentous events unfold through the eyes of eight year old Scout Finch, growing up in a close knit neighbourhood with her older brother Jem and their summertime visitor Dill. When their father Atticus Finch, a well respected lawyer, mounts a vigorous and compelling case for the defence of Tom Robinson, a poor black man accused of the rape of a young white girl, an idyllic world of childhood is changed forever. Through the drama of the trial and its aftermath comes a searching examination of freedom, justice, honesty and hypocrisy. A compelling, deeply moving story told with warmth and humour.
Stevenson's story of pirates, double crossing and treasure. Treasure Island follows Young Jim Hawkins and his motley crew across the ocean in their search for hidden pirate spoils. With mutiny in the air they soon face deadly peril from the most ruthless pirate to ever terrorise the seven seas - Long John Silver! So can young 'Jim Lad' out-wit the scoundrel and live to claim the treasure?
Suitable for those aged 10 and over.
Twelve jurors have murder on their minds and a life in their hands as they decide the fate of a young delinquent accused of killing his father. But what appears to be an open and shut case soon becomes a dilemma for the twelve, as their prejudices and preconceived ideas about the accused, the trial and each other turn the tables every which way, until the nail-biting climax...
Running time:2hrs 20mins
I want you to do yourself proud, Joey. You go and drive those Germans back where they've come from, and then come home to me. At the outbreak of World War one, Joey, young Albert's beloved horse, is sold to the cavalry and shipped to France. he's soon caught up in enemy fire, and fate takes him on an extraordinary odyssey, serving on both sides before finding himself alone in no man's land. but Albert cannot forget Joey and, still not old enough to enlist, he embarks on a treacherous mission to find him and bring him home. Do I look like I know the latest on every effing ?orse in the war? Do I look like an effing equine expert or even an effing equestrian enthusiast? Your squadron no longer exists. That's all I know, Private. Suitable for 12yrs+
Running time 2 hours 25 minutes inc. interval.
Henry VIII has been King for almost 20 years and is desperate for a male heir. Into a volatile court enters the commoner Thomas Cromwell. A one-time mercenary, master-politician, and doting father, who sets out to grant the King his desire whilst ruthlessly pursuing his own reforming agenda.
Wolf Hall and Bring up the Bodies paint the compelling portrait of the political rise to power of Thomas Cromwell in the Tudor Court.
Fog and creepily haunted houses, supernatural happenings, sea mists and dark stormy nights, lonely funerals and creaking attic doors, all combine in this gripping adaptation of Susan Hill's tense and thrilling story to create a play that taps our primal fears.
A grieving lawyer believes a curse has been cast over him and his family by the spectre of the woman in black. In an attempt to exorcise the spirit he engages a sceptical young actor to help him tell his story. His plan begins innocently enough, but as the border between reality and fantasy blur, the horror starts and the flesh begins to creep..
Capturing the sexy and colourful spirit of Pedro Almodovar's Madrid, Pepa and her friends juggle their everyday lives and extraordinary moments in a surprising, heart-breaking and rebellious musical comedy.