Reviews

Dolly (Leicester)

Country and Western and cloning. Not the most usual combination of topics on which to base a musical I agree, but this is exactly what writer Andy Barrett and the New Perspectives Theatre Company have done and as a result, achieved something quite inexplicably wonderful.

Dolly intertwines the stories of a Bettina, a young Shepherds daughter chasing her dream of becoming a country and western singer, with that of the scientists at the Roslin Institute in Midlothian; pursuing their own aspirations by pushing their discipline to its limits. The story quietly and delicately unfolds as the eight strong troupe of actor-musicians seamlessly take us from the laboratory, to the farm, to the stage via a selection of Dolly Parton hits, revealing the people behind the headlines of the worlds most famous animal. Miriam Elwell-Sutton gives a stunning yet subtle vocal performance as Bettina whilst the supporting cast members impress with their musicality and apparent ability to play every instrument at their disposal.

The star of the night has to be Dolly the sheep who happily munches her way through most of the show, keeping a watchful eye on the action and commentating in her own special way.

For those of us out there without a PhD in genetics, the science is successfully woven in to the story and is neither condescending nor confusing thanks in part to Christopher Redmond’s charming PR guru Leo who is sent to Scotland to break the news and who, at first, was as baffled by the science as I was. Strong ethical questions are raised throughout and yet, combined with effective story telling, the audience are respectfully allowed make up their own minds on the matter.

After her stint at Curve, Dolly goes on tour where the intimate atmosphere of the venues will suit this very understated performance. If you go along to see her you won’t be disappointed and as Bettina would have me assure you, that’s not just a promise that’s a Country and Western promise.

– Debbie Longley