She went on to say that her return to the stage following 2009's The Misanthrope was largely to improve her craft. "I really noticed what I couldn't do and what I failed at," she said, "I'm just not interested in standing still. You go, 'OK, that was great and that bit was great - that's, um, great.' But if I'm not getting better, not learning, not changing, then what's the point of it? It must be boring for people to watch it if it's always the same... Not that I'm saying I made huge progress."