Amongst the names so far confirmed to appear as part of the ensemble are Philip Quast, Desmond Barrit, Niamh Cusack, Steven Beard, Joseph Shovelton, Ed Stoppard, Geoffrey Streatfield and the Brothers Marquez. Duncan and Pimlott will both direct two productions apiece, alongside visiting directors Gale Edwards, Simona Gonella, Dale Rooks, Jeremy Sams and Simon Usher.
The Chichester trio consulted more than 2,000 local people when drawing up plans for their inaugural season. Following the lead of the National and Almeida theatres, they have also appointed a team of associate artists to advise on the Festival. They are: sound designer Paul Arditti, composer Jason Carr, designer Alison Chitty, dramaturg Edward Kemp, desigher Ashley Martin-Davis, artist Joe McGann, lighting designer Peter Mumford and choreographer Jonathan Lunn.
In addition, the team are following the example of Nicholas Hytner's National Theatre in slashing ticket prices to increase audience accessibility. Tickets for students and under-18's have been reduced to half-price, with student standbys at just £5. Senior citizen discounts have also been introduced as well as a season pass that brings the price-per-production to under £7.
In the Festival Theatre
In the main house Festival theatre, the 2003 schedule kicks off - from 1 May to 23 August (previews 26 April) - with a new production of Gilbert and Sullivan's 1889 operetta The Gondoliers, designed by Ashley Martin-Davis and directed by Martin Duncan, whose D'Oyly Carte production of G&S's HMS Pinafore is currently playing at the West End's Savoy Theatre.
It's joined in the repertoire from 11 June to 2 October (previews from 6 June) by Gale Edwards' production of Shakespeare's The Merchant of Venice, featuring Desmond Barrit as Shylock, Niamh Cusack as Portia, Philip Quast as Antonio and Ed Stoppard as Lorenzo.
A new adaptation of Charles Kingsley's 1863 children's fantasy The Water Babies receives its world premiere on 17 July and continues to 31 August (previews from 11 July). The book by Gary Yershon - about a boy sweep who escapes into a magical underwater world - is accompanied by musical and lyrics by Jason Carr, directed by Jeremy Sams and designed by Rob Jones.
The Festival theatre schedule concludes with Steven Pimlott's production of Chekhov's The Seagull, in a new version by Phyllis Nagy, starring Philip Quast as Trigorin and Ed Stoppard as Konstantin. The production is designed by Alison Chitty and runs from 7 August to 4 October (previews 1 August).
In the Minerva Theatre
Meanwhile, in the Minerva studio space, the 2003 summer festival opens with the first production of German playwright Gotthold Lessing's Nathan the Wise since the play's UK premiere in 1967 (nearly 200 years after it was written). Banned by the Nazis, the tale of religious tolerance is set during the Crusades in Jerusalem, where a Jewish merchant is caught between the occupying Muslim forces and the blockading Christian armies. Drawing parallels with The Merchant of Venice, the Lessing play, in a new version by Edward Kemp, is directed by Pimlott and designed by Anthony McDonald. Featuring Geoffrey Streatfield, It runs from 1 May to 23 August (previews 26 April).
It's joined in repertoire from 18 June to 20 September (previews 13 June) by the world premiere of Holes in the Skin, written by Robert Holman whose other recent plays include Making Noise Quietly (Oxford Stage) and Bad Weather (RSC). A modern counterpart to The Water Babies, it tells the story of a 15-year-old girl plunged into a world of drugs and violence. It's directed by Simon Usher and designed by Anthony Lamble.
The third Minerva production, The Coffee House, returns to the height of Carnival in Venice. Italian playwright Carlo Goldoni wrote more than a 100 comedies set in his home city, one of which was the basis for this 1969 play by German filmmaker Rainer Werner Fassbinder. This is the UK premiere of a new translation by Jeremy Sams, directed by Italian Simona Gonella. It runs from 24 July to 24 August (previews 18 July).
The Minerva season concludes with I Caught My Death in Venice, a new piece written and performed by comedy duo the Brothers Marquez in honour of the festival theme. Directed by Martin Duncan and designed by Ashley Martin-Davis, it runs from 4 September to 4 October (previews from 29 August).
The Chichester Festival season also includes a ninth production - a mounting of children's classic, Pinocchio - presented in association with Petworth Festival at the nearby Oaklands Park. It's newly adapted by Andy Brereton and directed by Dale Rooks and runs from 28 July to 3 August.
The theme of Venice - incorporating Carnival, water and the search for love - runs throughout all of the productions in the 2003 festival. The Venetian theme will be continued with the ensemble performing various late night cabarets as well as rehearsed readings, master classes, promenade performances and other outdoor events. In Chichester, there will also be a first-ever Community Venetian Carnival on 3 May with a city procession of costumes, masks and puppets and the theme will be linked to other arts festivals in Hampshire and Sussex.
- by Terri Paddock