Opened 29 Dec 1720. Closed in 1737 (partly for attacking the government), re-opened 1747. The current theatre opened on 4th July 1821 and was designed by Nash. The last theatre in London to use candles (1837). 888 seats. Society of London Theatre member.
Following sell-out seasons at the National Theatre and Adelphi Theatre, smash-hit comedy One Man, Two Guvnors opens at Theatre Royal Haymarket with a brand new lead Owain Arthur as Francis Henshall.
In Richard Bean's English version of Carlo Goldoni's classic Italian comedy The Servant of Two Masters, sex, food and money are high on the agenda.
Fired from his skiffle band, Francis Henshall becomes minder to Roscoe Crabbe, a small time East End hood, now in Brighton to collect £6,000 from his fiancee's dad. But Roscoe is really his sister Rachel posing as her own dead brother, who's been killed by her boyfriend Stanley Stubbers.
Holed up at The Cricketers' Arms, the permanently ravenous Francis spots the chance of an extra meal ticket and takes a second job with one Stanley Stubbers, who is hiding from the police and waiting to be re-united with Rachel. To prevent discovery, Francis must keep his two guvnors apart. Simple.....
Joining Owain Arthur, are former S Club 7 singer-turned-actress Hannah Spearritt who will play Pauline, and I’d Do Anything winner Jodie Prenger who will play Dolly, the woman who attracts the attention of Francis.
After sweeping up gongs at the Evening Standard, Critics’ Circle and Whatsonstage.com Awards, Richard Bean’s 1960s Brighton-set reclamation of Goldoni's classic A Servant of Two Masters has recorded perhaps its greatest achievement – proving that it is just as funny without the presence of its original star James Corden.
While Corden and most of the rest of the original cast are now Broadway bound, the National Theatre’s production of One Man, Two Guvnors marches gloriously on in the West End, moving from the Adelphi to the Haymarket, with a new company led by Owain Arthur, Corden’s former understudy in the role of Francis Henshall, laying confident claim to the piece in its new home.
Arthur plays it much differently – for one, he’s far slimmer than Corden (which takes some wind out of the fat joke sails) and he speaks in his native Welsh accent. But he more than matches Corden in his adept handling of both the physical and apparent ad-libbing demands of the role, and charms the audience with his red-faced zeal and winking asides.
Elsewhere, I’d Do Anything winner Jodie Prenger makes an impressive play debut as Dolly, the lustful object of Francis’ affections. She’s a saucy seaside postcard personified, all wiggle and innuendo, and sporting a towering beehive.
And there are great performances too from Ben Mansfield and Gemma Whelan as Francis’ two star-crossed lover guvnors, Daniel Ings and Nigel Betts as the actorly Alan and his legal-eagle dad and Martin Barrass as the octogenarian, accident-prone Alfie.
Prenger and former S Club star Hannah Spearritt exercise their well-trained vocal muscles to nice effect in one of the musical scene transitions, orchestrated by Grant Olding and the other brilliant band members of The Craze.
If you didn’t manage to see One Man, Two Guvnors first time round, don’t feel short-changed in the least seeing it with this replacement cast. And if you did manage to see it previously, do consider coming again – it can only enhance your experience knowing what’s come before.
Come on our hosted Whatsonstage.com Outing on 11 April 2012 and get a top price ticket, a FREE drink and an EXCLUSIVE post show Q&A all for the INCREDIBLE price of just £35*!! (Normally up to £55 for the ticket alone) - click here to book.
Wow, just wow. That's the first time I have ever left a performance in the interval. If you want a smart, witty and intelligent comedy then this "play" isn't for you. If however, you wish to go see a pantomime production, including plants in the audience getting sprayed with foam, a doddery old man gag (used several times) and a woman dressed as a man and a hundred and one other clichés, then I suggest you see this pantomime. It was slap stick reminiscent of Adrian Edmondson and Rik Mayal of Young Ones / Bottom fame, except with one difference. Young Ones and Bottom were actually funny. Save your money and go to a Christmas Panto instead. The quality of acting and the humour will be on the same level and at least your children will enjoy the Panto. - Jonathan Finch
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