Synopsis When Christmas-hating Sidney and his nephew Danny accidentally get locked in a theatre, the last thing they expect is to have to perform A Christmas Carol on stage in front of an expectant audience, aided by two out-of-work actors, the resident theatre cat, and a mouse with stage fright. But of course this is no ordinary night at the theatre, and a sumptuous sprinkling of festive charm is about to transform this Dickens classic like never before...So as they set about putting on a show with whatever props and costumes they can get their hands on, and with a little help from the audience too, we’re whisked away on Scrooge’s magical journey to rediscover his love of life, mankind and Christmas.
The first Christmas show off the blocks in the West End is a canny re-tread of the Hackney Empire seasonal efforts of director Susie McKenna and composer Steven Edis and you’d have to say it’s a turn up for the carol books given this venue’s wretched record in the secular months.
The social stand-off between measly Scrooge and his kind-hearted nephew Fred is framed in that between a grumpy old decorater and his slightly estranged son who arrive to spruce up the Arts and cover the front rows in a huge dust sheet before finding themselves dragooned into Dickensian jollifications.
Gareth Hale of the Hale and Pace comedy duo might be more suitably upholstered to play Santa Claus, but his Scrooge is a grumpy sweat who develops plausibly out of the dungaree-clad, Sun-reading workman and finds himself enchanted with the revelations of the Ghosts of Christmases past, present and to come.
The show is commissioned, as it were, by two glove puppets – a theatre cat and a theatre mouse, voiced respectively by Sharon D Clarke and Matthew White; the mouse doubles impressively as Tiny Tim, whose operatic solo is the show’s emotional highlight.
McKenna’s production, beautifully designed by Lotte Collett, is cheap and cheerful in the best possible way, with a Quality Street front cloth, terrific tall, stilted ghosts, coloured lanterns and a nice snowfall at the end. Once you adjust to the brutal microphoning, the songs are fresh and beguiling, supervised by musical director Ian MacGregor in the gallery.
It’s all a welcome change from the grotesquely unimaginative Tommy Steele version that’s knocked around lately on larger stages. This version of the perennial story mixes genuine Dickensian flavour with adroit, witty acting and stage craft. And it’s full of heart, not just from Hale, but also Simon Lipkin as Fred, and Rebecca Thornhill and Michael Matus as a pair of hopeful actors, quick-changing eagerly, and cleverly, between roles.
The Arts foyer has been turned into a Christmas grotto with a vengeance, but this will seem less of an assault on good taste as the days tick by, and you can even challenge your own inner Scrooge by joining in the Fezziwigs’ ball at an impromptu audience dance-along. In all, a pleasant surprise.
Gareth hale played the role as scrooge very well but I just thought the show was so boring that i walked out half way through.this wasn't my idea of a night out.
- tabatha
12 Dec 09
I found this delightful: funny, imaginative and very well performed! - ajh
01 Dec 09
Disappointing - certainly not a fun night out. Go see a panto instead or even a west end show for the money they charged. My kids were bored and whilst it was well performed, it just lacked charm. - Mark Sturdy
28 Nov 09
I booked this show as a treat for my daughter. We thought it was lovely. Great fun, fabulous theatre. I can understand why some might not review it highly but, for us, it was a great start to a Christmas shopping weekend. - Babs
28 Nov 09
was this the same show i saw ? overproduced, charmless, trying to be commercial tat surely. the telegraph and times reviews seem much more like it. Usually assured actors seemingly slightly uncomfortable...interesting to note on the website for the show that one of the producers is 'end of the pier' (!) - was the director forced to make artisitic compromises ? - wilson james2009
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